{"id":27724,"date":"2024-09-30T10:00:00","date_gmt":"2024-09-30T10:00:00","guid":{"rendered":"https:\/\/www.rebobinart.com\/projecte\/wallspot-2012-2024-twelve-years-of-free-walls\/"},"modified":"2026-09-26T12:56:12","modified_gmt":"2026-09-26T12:56:12","slug":"wallspot-2012-2024-twelve-years-of-free-walls","status":"publish","type":"portfolio","link":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/","title":{"rendered":"Persianes Lliures, Murs Lliures and Wallspot: how painting Barcelona&#8217;s walls became legal"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column][vc_raw_html]<!--noptimize--><style>div.rbp{
--ink:var(--rb-black,#1F1F1F);--ink2:var(--rb-ink-2,#505050);--ink3:var(--rb-ink-3,#6B6660);
--line:var(--rb-line,#E5E3DE);--paper2:var(--rb-paper-2,#F4F3EF);
--acc:var(--rb-yellow,#F5C400);--onacc:var(--rb-on-yellow,#161408);--gold:var(--rb-gold-text,#7A5A00);
--fd:var(--rb-font-display,Archivo),system-ui,sans-serif;
--ft:var(--rb-font-text,"DM Sans"),system-ui,sans-serif;
--mo:var(--rb-motion,200ms cubic-bezier(.2,.7,.2,1));
--text:680px;--foto:800px;
font-family:var(--ft);color:var(--ink);max-width:1040px;margin:0 auto;
-webkit-font-smoothing:antialiased}

/* --- les tres amplades --- */
div.rbp>*{max-width:var(--text);margin-left:auto;margin-right:auto}
div.rbp>figure.rbf{max-width:var(--foto)}
div.rbp>table,div.rbp>.rbt,div.rbp>.rbv,div.rbp>.fases,div.rbp>.inv,
div.rbp>.murs,div.rbp>.rbmapa,div.rbp>ul.media,div.rbp>ul.xifres{max-width:none}

/* --- cos --- */
div.rbp p,div.rbp li{font-family:var(--ft);font-size:17px;line-height:1.6}
div.rbp p{margin:0 auto 20px}
div.rbp ol,div.rbp ul{padding-left:24px;margin:0 auto 20px}
div.rbp ol li,div.rbp ul li{margin-bottom:8px}
div.rbp strong{font-weight:600}
div.rbp .lead{font-size:clamp(19px,1.5vw,22px);line-height:1.45;font-weight:500;color:var(--ink);margin:0 auto 24px}
div.rbp a{color:var(--ink);text-decoration-thickness:1px;text-underline-offset:2px}
div.rbp a:hover{text-decoration-color:var(--acc);text-decoration-thickness:2px}
div.rbp :focus-visible{outline:2px solid var(--acc);outline-offset:2px;border-radius:2px}

/* --- seccions i capitols --- */
div.rbp h3{font-family:var(--fd);font-weight:600;font-size:clamp(21px,1.8vw,25px);line-height:1.25;
letter-spacing:-.01em;margin:56px auto 16px;padding-top:20px;border-top:1px solid var(--line)}
div.rbp h4{font-family:var(--fd);font-weight:600;font-size:18px;line-height:1.3;margin:32px auto 8px}
div.rbp h3+h4,div.rbp h3+p,div.rbp h3+.tldr{margin-top:0}

div.rbp h3.ch{max-width:none;font-size:clamp(30px,4vw,46px);line-height:1.05;letter-spacing:-.025em;
margin:88px auto 32px;padding-top:28px;border-top:2px solid var(--ink);
display:grid;grid-template-columns:auto 1fr;grid-template-areas:"n y" "t t";column-gap:14px;align-items:baseline}
div.rbp h3.ch .ch-n{grid-area:n;font-family:var(--ft);font-size:13px;font-weight:600;line-height:1;
letter-spacing:.08em;text-transform:uppercase;color:var(--gold)}
div.rbp h3.ch .ch-y{grid-area:y;font-family:var(--ft);font-size:13px;font-weight:600;line-height:1;
letter-spacing:.04em;color:var(--ink3)}
div.rbp h3.ch .ch-t{grid-area:t;margin-top:10px}
div.rbp h3.ch+h4{margin-top:0}

/* --- entrada: lead, drecera, index --- */
div.rbp .tldr{border-left:4px solid var(--acc);padding:4px 0 4px 20px;margin:0 auto 28px}
div.rbp .tldr p{margin:0;font-size:16px;line-height:1.55}
div.rbp .tldr .tldr-go{margin-top:6px;font-weight:600}
div.rbp .toc{font-size:15px;line-height:1.8;padding:16px 0;margin:0 auto 8px;
border-top:1px solid var(--line);border-bottom:1px solid var(--line);color:var(--ink2)}
div.rbp .toc strong{display:block;font-size:12px;font-weight:600;letter-spacing:.08em;
text-transform:uppercase;color:var(--gold);margin-bottom:4px}
div.rbp .toc a{color:var(--ink)}

/* --- taules --- */
div.rbp table{width:100%;border-collapse:collapse;margin:32px auto;font-size:15px;font-family:var(--ft)}
div.rbp table th,div.rbp table td{border-bottom:1px solid var(--line);padding:12px 14px;
text-align:left;vertical-align:top;line-height:1.5}
div.rbp table thead th{font-family:var(--ft);font-size:12px;font-weight:600;text-transform:uppercase;
letter-spacing:.08em;color:var(--ink2);border-bottom:2px solid var(--ink);padding-bottom:8px}
div.rbp table tbody th{width:26%;font-weight:600}
div.rbp table tbody tr:last-child{background:#FFFCEC}
div.rbp table tbody tr:last-child td,div.rbp table tbody tr:last-child th{border-bottom:2px solid var(--acc)}
div.rbp .rbt{margin:32px auto;position:relative}
div.rbp .rbt table{margin:0}
div.rbp .rbt-h{display:none}

/* --- xips de minut --- */
div.rbp a.vid{display:inline-block;white-space:nowrap;font-size:13px;font-weight:600;
padding:2px 8px;margin:0 2px;border:1px solid var(--line);border-radius:6px;
text-decoration:none!important;color:var(--ink)!important;transition:var(--mo)}
div.rbp a.vid:hover{background:var(--acc);border-color:var(--acc);color:var(--onacc)!important}

/* --- caixa de fonts --- */
div.rbp .fonts{background:var(--paper2);border-radius:8px;padding:24px 28px;margin:32px auto}
div.rbp .fonts p{margin:0 0 16px;font-size:16px}
div.rbp ul.media{display:grid;grid-template-columns:repeat(auto-fit,minmax(min(100%,260px),1fr));
gap:16px;margin:16px auto 0;padding:0;list-style:none}
div.rbp ul.media li{margin:0}
div.rbp ul.media a{display:flex;flex-direction:column;gap:8px;height:100%;box-sizing:border-box;
background:#fff;border:1px solid var(--line);border-radius:8px;padding:16px 18px;
text-decoration:none!important;color:var(--ink)!important;transition:var(--mo)}
div.rbp ul.media a:hover{border-color:var(--ink)}
div.rbp ul.media .src{font-size:12px;font-weight:600;letter-spacing:.08em;text-transform:uppercase;color:var(--gold)}
div.rbp ul.media .tit{font-weight:500;line-height:1.4}
div.rbp .fonts+.rbv{margin-top:0}

/* --- xifres --- */
div.rbp ul.xifres{display:grid;grid-template-columns:repeat(auto-fit,minmax(min(100%,180px),1fr));
gap:24px;margin:32px auto;padding:0;list-style:none}
div.rbp ul.xifres li{border-top:2px solid var(--ink);padding-top:12px;margin:0;line-height:1.35;font-size:15px}
div.rbp ul.xifres strong{display:block;font-family:var(--fd);font-weight:700;font-size:32px;
line-height:1;letter-spacing:-.02em;margin-bottom:6px}
div.rbp ul.xifres span{display:block;font-size:12px;font-weight:600;letter-spacing:.08em;
text-transform:uppercase;color:var(--ink3);margin-top:4px}

/* --- citacions --- */
div.rbp blockquote{margin:40px auto;padding:0 0 0 24px;border-left:4px solid var(--acc);background:none;
font-family:var(--fd);font-size:clamp(19px,1.7vw,23px);font-weight:500;line-height:1.35;letter-spacing:-.01em}
div.rbp blockquote strong{font-weight:600}
div.rbp blockquote cite{display:block;margin-top:12px;font-family:var(--ft);font-size:14px;
font-weight:400;font-style:normal;letter-spacing:0;color:var(--ink3)}

/* --- fotos --- */
div.rbp figure.rbf{margin:48px auto;padding:0}
div.rbp figure.rbf img{display:block;width:100%;height:auto;border-radius:8px}
div.rbp figure.rbf figcaption{font-size:14px;line-height:1.5;padding-top:12px;color:var(--ink3);
max-width:var(--text)}
div.rbp figure.rbf .k{display:block;font-size:12px;font-weight:600;letter-spacing:.08em;
text-transform:uppercase;color:var(--gold);margin-bottom:4px}

/* --- videos (portada clicable, 16:9 per no saltar en carregar l'iframe) --- */
div.rbp .rbv{position:relative;margin:48px auto;cursor:pointer;background:var(--ink);
border-radius:8px;overflow:hidden;line-height:0}
div.rbp .rbv img{display:block;width:100%;aspect-ratio:16/9;height:auto;object-fit:cover;
opacity:.86;transition:var(--mo)}
div.rbp .rbv:hover img{opacity:1;transform:scale(1.015)}
div.rbp .rbv iframe{display:block;width:100%;aspect-ratio:16/9;border:0}
div.rbp .rbv-p{position:absolute;top:50%;left:50%;transform:translate(-50%,-50%);
width:68px;height:68px;border-radius:50%;background:rgba(31,31,31,.62);transition:var(--mo)}
div.rbp .rbv-p:after{content:"";position:absolute;top:50%;left:54%;transform:translate(-50%,-50%);
width:0;height:0;border-style:solid;border-width:11px 0 11px 18px;
border-color:transparent transparent transparent #fff}
div.rbp .rbv:hover .rbv-p{background:var(--acc)}
div.rbp .rbv:hover .rbv-p:after{border-left-color:var(--onacc)}
div.rbp .rbv-t{position:absolute;left:0;right:0;bottom:0;padding:44px 22px 20px;
background:linear-gradient(transparent,rgba(0,0,0,.88));color:#fff;line-height:1.35;pointer-events:none}
div.rbp .rbv-t strong{display:block;font-family:var(--fd);font-weight:600;font-size:19px}
div.rbp .rbv-t em{font-style:normal;font-size:14px;color:rgba(255,255,255,.88)}

/* --- inventari --- */
div.rbp .inv{margin:24px auto}
div.rbp .inv-g{margin:36px auto}
div.rbp .inv-g h4{margin:0 0 4px;max-width:none}
div.rbp .inv-sub{font-size:15px;color:var(--ink3);margin:0 0 12px;line-height:1.5}
div.rbp .inv-g ul{list-style:none;padding:0;margin:0;columns:3;column-gap:32px}
div.rbp .inv-g li{break-inside:avoid;border-top:1px solid var(--line);padding:9px 0;margin:0;
font-size:15px;line-height:1.4}
div.rbp .inv-g li span{font-size:13px;color:var(--ink3);margin-left:6px}

/* --- tira de fases --- */
div.rbp .fases{display:grid;grid-template-columns:repeat(auto-fit,minmax(min(100%,220px),1fr));
gap:16px;margin:24px auto 48px}
div.rbp .fases .fase{display:block;border:1px solid var(--line);border-radius:8px;padding:18px 20px;
text-decoration:none!important;color:var(--ink)!important;background:#fff;transition:var(--mo)}
div.rbp .fases .fase:hover{border-color:var(--ink);box-shadow:0 2px 12px rgba(31,31,31,.07)}
div.rbp .fases .fy{display:block;font-size:12px;font-weight:600;letter-spacing:.08em;
text-transform:uppercase;color:var(--gold)}
div.rbp .fases strong{display:block;font-family:var(--fd);font-weight:600;font-size:18px;margin:6px 0 8px}
div.rbp .fases .fd{display:block;font-size:14px;line-height:1.45;color:var(--ink2)}

/* --- llista de murs, en directori de dues columnes --- */
div.rbp .murs{margin:24px auto 32px;columns:2;column-gap:48px}
div.rbp .murs h4{margin:0 0 4px;font-family:var(--ft);font-size:12px;font-weight:600;
letter-spacing:.08em;text-transform:uppercase;color:var(--gold);break-after:avoid}
div.rbp .murs ul{list-style:none;padding:0;margin:0 0 28px;break-inside:avoid}
div.rbp .murs li{border-top:1px solid var(--line);padding:10px 0;margin:0;line-height:1.45;font-size:16px}
div.rbp .murs li span{display:block;font-size:14px;color:var(--ink3);margin-top:2px}
div.rbp .font-murs{font-size:14px;color:var(--ink3);line-height:1.55}

/* --- mapa --- */
div.rbp .rbmapa{height:480px;margin:24px auto;background:var(--paper2);border:1px solid var(--line);
border-radius:8px;overflow:hidden;display:flex;align-items:center;justify-content:center}
div.rbp .rbmapa .rbmapa-alt{font-size:15px;line-height:1.5;color:var(--ink3);text-align:center;
max-width:440px;padding:24px;margin:0}
div.rbp .rbmapa .lk{font:500 14px/1.45 var(--ft)}
div.rbp .rbmapa .lk strong{font-family:var(--fd);font-size:15px}

@media(max-width:900px){
div.rbp .inv-g ul{columns:2}
div.rbp h3.ch{margin-top:64px}
}
@media(max-width:700px){
div.rbp p,div.rbp li{font-size:16px}
div.rbp .murs{columns:1}
div.rbp .inv-g ul{columns:1}
div.rbp .rbmapa{height:400px}
div.rbp figure.rbf{margin:32px auto}
div.rbp .rbv{margin:32px auto}
div.rbp .rbv-t{padding:32px 16px 14px}
div.rbp .rbv-t strong{font-size:16px}
div.rbp .rbv-t em{font-size:13px}
div.rbp .rbv-p{width:54px;height:54px}
div.rbp .fonts{padding:20px}
div.rbp h3{margin-top:44px}
div.rbp h3.ch{margin-top:56px}
div.rbp table{font-size:14px}
div.rbp table th,div.rbp table td{padding:10px 8px}
div.rbp table tbody th{width:38%}
/* la taula de 4 columnes no hi cap: es fa desplacable, sense trencar l'alineacio */
div.rbp .rbt{overflow-x:auto;-webkit-overflow-scrolling:touch}
div.rbp .rbt table{min-width:560px}
div.rbp .rbt-h{display:block;font-size:12px;font-weight:600;letter-spacing:.06em;
text-transform:uppercase;color:var(--ink3);margin-bottom:6px}
}
@media(prefers-reduced-motion:reduce){
div.rbp *,div.rbp *:before,div.rbp *:after{transition:none!important}
div.rbp .rbv:hover img{transform:none}
}
@media print{
div.rbp{max-width:none;color:#000}
div.rbp>*{max-width:none}
div.rbp .rbv,div.rbp .rbmapa,div.rbp .toc,div.rbp .fases{display:none}
div.rbp h3,div.rbp h4{break-after:avoid}
div.rbp figure.rbf,div.rbp table,div.rbp blockquote{break-inside:avoid}
div.rbp .fonts{background:none;border:1px solid #999}
div.rbp a{text-decoration:underline}
}
/* --- portada (A-2026-09-095): degradat fosc + titol blanc; el tema pintava el titol negre sobre la foto --- */
.post-gallery.parallax::after{content:"";position:absolute;inset:0;pointer-events:none;z-index:1;
background:linear-gradient(180deg,rgba(10,10,10,.58) 0%,rgba(10,10,10,.44) 50%,rgba(10,10,10,.66) 100%)}
.post-gallery.parallax .portfolio-title{position:relative;z-index:2}
.post-gallery.parallax .portfolio-title .entry-title,.post-gallery.parallax .portfolio-title p{color:#fff!important}
.post-gallery.parallax .portfolio-title .entry-title{font-size:clamp(30px,3.6vw,52px);line-height:1.1;letter-spacing:-.02em;
text-shadow:0 2px 28px rgba(0,0,0,.85),0 1px 4px rgba(0,0,0,.6)}
.post-gallery.parallax .portfolio-title p{text-shadow:0 1px 12px rgba(0,0,0,.8)}
/* el JS del tema parteix el titol en <div> per linia abans que carregui Archivo: les linies queden mal tallades; es tornen inline */
.post-gallery.parallax .portfolio-title .entry-title>div{display:inline!important}

/* --- capitols (A-2026-09-097): el filet negre va a tota l'amplada, pero el text s'alinea amb la columna de lectura --- */
div.rbp h3.ch{padding-left:max(0px,calc((100% - var(--text))/2))}

/* --- inventari (A-2026-09-097): 74 enllacos subratllats feien un mur gris; subratllat nomes en hover/focus --- */
/* el Customizer subratlla amb !important (#rb-main-content p > a): cal la mateixa arma i mes especificitat */
#rb-main-content div.rbp .inv-g ul li a[href]:not([hidden]){text-decoration-line:none!important}
#rb-main-content div.rbp .inv-g ul li a[href]:not([hidden]):hover,#rb-main-content div.rbp .inv-g ul li a[href]:not([hidden]):focus-visible{
text-decoration-line:underline!important;text-decoration-color:var(--acc)!important;text-decoration-thickness:2px!important}</style><script data-noptimize="1">(function(){
 var fetV=false, fetM=false;

 function videos(){
  var l=document.querySelectorAll('.rbp .rbv:not([data-on])');
  if(!l.length) return false;
  Array.prototype.forEach.call(l,function(b){
    b.setAttribute('data-on','1');
    function go(){
      var v=b.getAttribute('data-v'), s=b.getAttribute('data-s')||0;
      var i=document.createElement('iframe');
      i.src='https://www.youtube-nocookie.com/embed/'+v+'?autoplay=1&start='+s+'&rel=0';
      i.setAttribute('allow','accelerometer; autoplay; encrypted-media; picture-in-picture');
      i.setAttribute('allowfullscreen','');
      i.setAttribute('title', b.getAttribute('aria-label')||'');
      b.innerHTML=''; b.appendChild(i); b.style.cursor='default';
    }
    b.addEventListener('click',go);
    b.addEventListener('keydown',function(e){ if(e.key==='Enter'||e.key===' '){ e.preventDefault(); go(); } });
  });
  fetV=true; return true;
 }

 function mapa(){
  var m=document.getElementById('rbmapa');
  var d=document.getElementById('rbmapa-data');
  if(!m||!d||m.getAttribute('data-on')) return false;
  var pts; try{ pts=JSON.parse(d.textContent); }catch(e){ return false; }
  if(!pts||!pts.length) return false;
  m.setAttribute('data-on','1');
  var obrir=m.getAttribute('data-obrir')||'Obrir';
  var demanat=false;

  function dibuixa(){
    if(!window.L) return;
    m.innerHTML='';                       /* treu el text alternatiu */
    m.style.display='block';
    var map=L.map('rbmapa',{scrollWheelZoom:false}).setView([41.40,2.17],12);
    L.tileLayer('https://{s}.tile.openstreetmap.org/{z}/{x}/{y}.png',{maxZoom:19,
      attribution:'&copy; OpenStreetMap &middot; Institut de Cultura de Barcelona'}).addTo(map);
    var g=[];
    pts.forEach(function(p){
      var gm='https://www.google.com/maps?q='+p.lat+','+p.lng;
      L.marker([p.lat,p.lng]).addTo(map).bindPopup(
        '<span class="lk"><strong>'+p.n+'</strong><br>'+p.a+'<br>'+p.d+' &middot; '+p.b+
        '<br><a href="'+gm+'" target="_blank" rel="noopener">'+obrir+' &rarr;</a></span>');
      g.push([p.lat,p.lng]);
    });
    if(g.length) map.fitBounds(g,{padding:[30,30]});
    setTimeout(function(){ map.invalidateSize(); },300);
  }

  function pinta(){
    if(demanat) return; demanat=true;
    treu();
    if(window.L){ dibuixa(); return; }
    var l=document.createElement('link');
    l.rel='stylesheet'; l.href='https://cdnjs.cloudflare.com/ajax/libs/leaflet/1.9.4/leaflet.min.css';
    document.head.appendChild(l);
    var s=document.createElement('script');
    s.src='https://cdnjs.cloudflare.com/ajax/libs/leaflet/1.9.4/leaflet.min.js';
    s.onload=dibuixa; document.head.appendChild(s);
  }

  function aprop(){
    var r=m.getBoundingClientRect();
    var h=window.innerHeight||document.documentElement.clientHeight||0;
    return r.top < h + 600 && r.bottom > -600;
  }
  function mira(){ if(aprop()) pinta(); }
  function treu(){
    window.removeEventListener('scroll',mira);
    window.removeEventListener('resize',mira);
  }
  window.addEventListener('scroll',mira,{passive:true});
  window.addEventListener('resize',mira,{passive:true});
  mira();
  /* xarxa de seguretat: si al cap de 6 s encara no s'ha demanat, es pinta igualment */
  setTimeout(function(){ pinta(); },6000);
  fetM=true; return true;
 }

 function tot(){ if(!fetV) videos(); if(!fetM) mapa(); return fetV&&fetM; }

 tot();
 document.addEventListener('DOMContentLoaded',tot);
 window.addEventListener('load',tot);
 var n=0, t=setInterval(function(){ if(tot()||++n>40) clearInterval(t); },250);
})();</script><!--/noptimize-->[\/vc_raw_html][vc_column_text]\n<div class=\"rbp\">\n<p class=\"lead\">Barcelona currently has <strong>19 free-use walls<\/strong> where anyone can paint without asking permission, without booking a slot and without submitting a proposal. In 2005 a municipal by-law banned it outright, with fines of 600 to 3,000 euros. This page explains how the city got from one to the other over fourteen years, through three successive platforms: Persianes Lliures, Murs Lliures and Wallspot.<\/p>\n<div class=\"tldr\">\n<p><strong>If what you want is to paint today:<\/strong> the list of Barcelona&#8217;s 19 open walls, by district, is at the end of this page.<\/p>\n<p class=\"tldr-go\"><a href=\"#murs\">Go to the 19 walls &darr;<\/a><\/p>\n<\/div>\n<p class=\"toc\"><strong>On this page:<\/strong> <a href=\"#partida\">the starting point<\/a> \u00b7 <a href=\"#f1\">Persianes Lliures<\/a> \u00b7 <a href=\"#f2\">Murs Lliures<\/a> \u00b7 <a href=\"#f3\">Wallspot<\/a> \u00b7 <a href=\"#f4\">Murs Oberts<\/a> \u00b7 <a href=\"#murs\">where to paint today<\/a> \u00b7 <a href=\"#tot\">everything that was done<\/a> \u00b7 <a href=\"#mapa\">the map<\/a> \u00b7 <a href=\"#municipi\">how it applies to another town<\/a><\/p>\n<h3>Fourteen years in one table<\/h3>\n<p>The whole process comes down to a single thing: <strong>the gradual disappearance of the paperwork<\/strong>. This is the map of what the rest of the page explains.<\/p>\n<div class=\"rbt\">\n<p class=\"rbt-h\">Scroll the table &rarr;<\/p>\n<table>\n<thead>\n<tr>\n<th>Years<\/th>\n<th>Who authorises<\/th>\n<th>What you had to submit<\/th>\n<th>When you could paint<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>2005-2010<\/td>\n<td>Nobody: banned<\/td>\n<td>&mdash;<\/td>\n<td>Never (fine of 600 to 3,000 &euro;)<\/td>\n<\/tr>\n<tr>\n<td>2010-2011<\/td>\n<td><strong>The shopkeeper<\/strong><\/td>\n<td>Nothing<\/td>\n<td>Instantly<\/td>\n<\/tr>\n<tr>\n<td>2011-2012<\/td>\n<td>The City Council<\/td>\n<td>A design proposal + the neighbourhood&#8217;s colour range<\/td>\n<td>After <strong>6 months<\/strong>, and only on <strong>15 %<\/strong> of the surface<\/td>\n<\/tr>\n<tr>\n<td>2012-2016<\/td>\n<td>The City Council, via a managing body<\/td>\n<td><strong>Nothing<\/strong><\/td>\n<td>Instantly (downloadable permit)<\/td>\n<\/tr>\n<tr>\n<td>2016-2024<\/td>\n<td>Platform, on a wall made available<\/td>\n<td><strong>Nothing<\/strong><\/td>\n<td>Instantly (booking of up to 3 days)<\/td>\n<\/tr>\n<tr>\n<td><strong>2023-today<\/strong><\/td>\n<td><strong>Nobody: the code of conduct is enough<\/strong><\/td>\n<td><strong>Nothing<\/strong><\/td>\n<td><strong>Instantly<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<h3 id=\"cami\">The path, in four steps<\/h3>\n<p>Each phase solves the problem the previous one left open.<\/p>\n<div class=\"fases\"><a class=\"fase\" href=\"#f1\"><span class=\"fy\">2010-2012<\/span><strong>Persianes Lliures<\/strong><span class=\"fd\">Shop shutters offered by their owners. Legal through a gap in the by-law, until the gap is closed.<\/span><\/a><a class=\"fase\" href=\"#f2\"><span class=\"fy\">2012-2016<\/span><strong>Murs Lliures<\/strong><span class=\"fd\">The first municipal walls. Immediate permit with no sketch, and the neighbourhood on board before opening.<\/span><\/a><a class=\"fase\" href=\"#f3\"><span class=\"fy\">2016-2024<\/span><strong>Wallspot<\/strong><span class=\"fd\">The model becomes an international platform. The permit turns into a booking.<\/span><\/a><a class=\"fase\" href=\"#f4\"><span class=\"fy\">2023-today<\/span><strong>Murs Oberts<\/strong><span class=\"fd\">The City Council takes over the network. No permit, no booking: you just turn up.<\/span><\/a><\/div>\n<div class=\"fonts\">\n<p><strong>The sources for this article are on video.<\/strong> In 2018, at the \u00abMurs Lliures\u00bb exhibition at the Centre Cultural Albareda, the people behind the project explained it from start to finish in a public talk. Throughout the text there are links to the exact minute of each point. The talks are in Catalan.<\/p>\n<ul class=\"media\">\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=xI30x6wXSc0\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">Talk \u00b7 56 min<\/span><span class=\"tit\">The history of Barcelona&#8217;s legal walls<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">19 min<\/span><span class=\"tit\">Pau Garcia \u2014 Persianes Lliures<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">10 min<\/span><span class=\"tit\">Roger Pous \u2014 Murs Lliures<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=xI30x6wXSc0&amp;t=2300s\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">min 38:20<\/span><span class=\"tit\">M\u00edriam Alarc\u00f3n \u2014 artistic direction<\/span><\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"rbv\" data-v=\"xI30x6wXSc0\" data-s=\"0\" role=\"button\" tabindex=\"0\" aria-label=\"Play video: The history of Barcelona's legal walls\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/i.ytimg.com\/vi\/xI30x6wXSc0\/hqdefault.jpg\" alt=\"The history of Barcelona's legal walls\" width=\"480\" height=\"360\" loading=\"lazy\" decoding=\"async\"><span class=\"rbv-p\" aria-hidden=\"true\"><\/span><span class=\"rbv-t\"><strong>The history of Barcelona&#8217;s legal walls<\/strong><em>Full talk at the Centre Cultural Albareda (2018) \u00b7 56 min<\/em><\/span><\/div>\n<h3 id=\"partida\">The starting point: a ban with no alternative (2005-2010)<\/h3>\n<p>Barcelona&#8217;s <strong>by-law on measures to promote and guarantee civic coexistence in public space<\/strong> was approved in <strong>2005<\/strong> and came into force in early <strong>2006<\/strong>. It banned painting in public space and set fines of <strong>600 to 3,000 euros<\/strong> <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=275s\" target=\"_blank\" rel=\"noopener\">&#9654; min 4:35<\/a>.<\/p>\n<p>The ban was comprehensive, but it came with no alternative. That had three effects on the practice <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=165s\" target=\"_blank\" rel=\"noopener\">&#9654; min 2:45<\/a>:<\/p>\n<ol>\n<li><strong>Geographic displacement.<\/strong> Anyone who wanted to paint properly went out to the dry riverbeds and industrial estates of neighbouring towns \u2014 Sant Boi, Sant Just: places where you bother nobody, but where nobody sees you either.<\/li>\n<li><strong>Time displacement.<\/strong> Those who could not travel painted close to home, at night and fast.<\/li>\n<li><strong>Worse visible results.<\/strong> Less time and more risk means a less worked piece. The ban did not reduce painting: it lowered its average quality.<\/li>\n<\/ol>\n<p>A news report from those years put it the same way: \u00absince Barcelona banned painting in the street, the people who do it had moved away\u00bb <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=A-7y2Du9McA\" target=\"_blank\" rel=\"noopener\">&#9654; TV3<\/a>.<\/p>\n<p>The problem was not the willingness to paint, but that no space existed where it could be done legally.<\/p>\n<h3 id=\"f1\" class=\"ch\"><span class=\"ch-n\">Phase 1<\/span><span class=\"ch-y\">2010-2012<\/span><span class=\"ch-t\">Persianes Lliures<\/span><\/h3>\n<h4>What it was<\/h4>\n<p><strong>An exchange system between shopkeepers and urban artists.<\/strong> The shop owner offered up the shutter of their business; an artist painted it for free, with whatever they wanted and with no aesthetic brief. The shop got a shutter in good condition and free of tags; the artist got a highly visible surface to paint on in daylight, with time and no risk of a fine.<\/p>\n<p><a href=\"https:\/\/www.rebobinart.com\/en\/project\/persianes-lliures\/\">Rebobinart<\/a> acted as the intermediary and provided the system: a <strong>website where shopkeepers registered their shutter<\/strong> and where artists could see which ones were available, pick one and <strong>download the permit signed by the owner<\/strong> before turning up. Nobody was paid: not the artist, not the shop, not the organisation.<\/p>\n<p>The visible result was a street that kept changing: in the Guinard\u00f3 neighbourhood, the shutters on the scheme were repainted every month <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=OJuxu_0cJGI\" target=\"_blank\" rel=\"noopener\">&#9654; TV, 2010<\/a>. Television described it as \u00aban exchange of favours between shopkeepers and graffiti writers\u00bb <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=VU4cCOIPD54\" target=\"_blank\" rel=\"noopener\">&#9654; TV, Guinard\u00f3<\/a>.<\/p>\n<p>It worked in <strong>Horta-Guinard\u00f3<\/strong>, grew to <strong>77 shutters<\/strong>, and had a single-day mass edition in <strong>Malasa\u00f1a (Madrid)<\/strong>. It was also applied outside retail: municipal markets, social centres, a healthcare facility and a prison.<\/p>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2020\/04\/graffiti-arte-urbano-guinardo-persianeslliures-rebobinart-7-768x512.jpg\" alt=\"A shop shutter in the Guinard\u00f3 painted under Persianes Lliures, around 2010.\" width=\"768\" height=\"512\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">Persianes Lliures, Horta-Guinard\u00f3<\/span>A shop shutter in the Guinard\u00f3 painted under Persianes Lliures, around 2010.<\/figcaption><\/figure>\n<h4>The problem it solved: no legal surface was available<\/h4>\n<p>It started from a domestic fact \u2014one of the founders painted graffiti and was piling up fines he could not pay\u2014 and a practical question: if the wall is private and the owner agrees, what is stopping us? <a href=\"https:\/\/www.elperiodico.com\/es\/barcelona\/20240911\/entrevista-marc-garcia-director-rebobinart-proyecto-grafitis-murs-lliures-107823470\" target=\"_blank\" rel=\"noopener\"><em>El Peri\u00f3dico<\/em> covered the origin story in 2024<\/a>.<\/p>\n<p>Shop shutters met three useful conditions: they are private, they are highly visible, and they were in poor shape, so the shopkeeper got something out of it.<\/p>\n<table>\n<tbody>\n<tr>\n<th>Surface<\/th>\n<td>Shutters voluntarily offered by the shopkeeper<\/td>\n<\/tr>\n<tr>\n<th>Permission<\/th>\n<td>Written authorisation from the owner, not from the administration<\/td>\n<\/tr>\n<tr>\n<th>Access<\/th>\n<td>A website with the listing; the artist registered and downloaded the signed permit <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=587s\" target=\"_blank\" rel=\"noopener\">&#9654; min 9:47<\/a><\/td>\n<\/tr>\n<tr>\n<th>Cost<\/th>\n<td>None, for the artist or the shop<\/td>\n<\/tr>\n<tr>\n<th>Legal basis<\/th>\n<td>The by-law did not define where the public fa\u00e7ade ended and private space began <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=497s\" target=\"_blank\" rel=\"noopener\">&#9654; min 8:17<\/a>. That gap was the opening<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>What it proved<\/h4>\n<ul>\n<li><strong>Demand on both sides.<\/strong> From the initial 22 shutters <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=543s\" target=\"_blank\" rel=\"noopener\">&#9654; min 9:03<\/a> it grew to 77 <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=608s\" target=\"_blank\" rel=\"noopener\">&#9654; min 10:08<\/a>, and within a few months there was no need to go door to door: the shopkeepers were calling.<\/li>\n<li><strong>It could scale to another city.<\/strong> On 6 February 2011, in <a href=\"https:\/\/www.rebobinart.com\/en\/project\/persianes-lliures-madrid\/\">Malasa\u00f1a<\/a> and together with the local paper <em>Somos Malasa\u00f1a<\/em>, <a href=\"https:\/\/elpais.com\/diario\/2011\/02\/07\/madrid\/1297081456_850215.html\" target=\"_blank\" rel=\"noopener\">around 140 shutters offered by 72 shops were painted in a single day by more than a hundred artists<\/a> (<em>El Pa\u00eds<\/em>), <a href=\"https:\/\/www.eldiario.es\/madrid\/somos\/malasana\/las-calles-de-malasana-antes-y-despues-de-las-persianas-libres_1_6428180.html\" target=\"_blank\" rel=\"noopener\">documented one by one<\/a>. Artists came from London and Bristol <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=633s\" target=\"_blank\" rel=\"noopener\">&#9654; min 10:33<\/a>, and the Madrid festival <strong>Pinta Malasa\u00f1a<\/strong> <a href=\"https:\/\/www.eldiario.es\/madrid\/somos\/malasana\/comerciante-cede-tu-persiana-o-escaparate-gratuitamente-para-pinta-malasana_1_6423806.html\" target=\"_blank\" rel=\"noopener\">acknowledges it as its origin<\/a>.<\/li>\n<li>That a well-documented private permit <strong>functionally replaces an administrative one<\/strong>\u2026 as long as the administration does not legislate against it.<\/li>\n<\/ul>\n<p>It also made clear that opening up a free space has a cost for somebody: there were people making a living painting shop shutters, and part of the scene responded by painting over the work at night <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=663s\" target=\"_blank\" rel=\"noopener\">&#9654; min 11:03<\/a>.<\/p>\n<div class=\"rbv\" data-v=\"SbawHsfzXZA\" data-s=\"0\" role=\"button\" tabindex=\"0\" aria-label=\"Play video: Pau Garcia on Persianes Lliures\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/i.ytimg.com\/vi\/SbawHsfzXZA\/hqdefault.jpg\" alt=\"Pau Garcia on Persianes Lliures\" width=\"480\" height=\"360\" loading=\"lazy\" decoding=\"async\"><span class=\"rbv-p\" aria-hidden=\"true\"><\/span><span class=\"rbv-t\"><strong>Pau Garcia on Persianes Lliures<\/strong><em>How it all started, first-hand \u00b7 19 min<\/em><\/span><\/div>\n<h4>Why it ended<\/h4>\n<p>In 2011 the city&#8217;s Urban Landscape Institute <strong>brought shutters inside the definition of the public fa\u00e7ade<\/strong>. The new conditions <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=779s\" target=\"_blank\" rel=\"noopener\">&#9654; min 12:59<\/a>: only <strong>15 %<\/strong> of the surface could be freely painted, the rest had to match the <strong>neighbourhood&#8217;s colour range<\/strong>, a <strong>six-month procedure<\/strong> was required, and the fine now <strong>extended to the shop<\/strong> that allowed it.<\/p>\n<blockquote><p>The lesson carried into the next phase: exploiting a gap in a by-law works once. To make it last, the permission had to be <strong>public, explicit and immediate<\/strong>.<\/p><\/blockquote>\n<h4>The interlude that refined the method (2011-2012)<\/h4>\n<p>Activity shifted to spaces where permission was not the obstacle: a <a href=\"https:\/\/www.rebobinart.com\/en\/project\/centre-dacollida-assis\/\">shelter for homeless people<\/a>, the <a href=\"https:\/\/www.rebobinart.com\/en\/project\/mercat-de-castelldefels\/\">Castelldefels market<\/a>, the perimeter wall of a <a href=\"https:\/\/www.rebobinart.com\/en\/project\/viu-el-mur-de-sant-boi\/\">healthcare facility in Sant Boi<\/a> \u2014300 metres, painted with neighbours and service users before demolition\u2014, the <a href=\"https:\/\/www.rebobinart.com\/en\/project\/p-art-barcelona-gallery\/\">P-Art<\/a> festival <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=YgPdkCngZlQ\" target=\"_blank\" rel=\"noopener\">&#9654; TV<\/a> and the <a href=\"https:\/\/www.rebobinart.com\/en\/project\/quatre-camins\/\">Quatre Camins prison<\/a>: \u00abthe exact opposite of a free wall; it was a closed wall\u00bb <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=926s\" target=\"_blank\" rel=\"noopener\">&#9654; min 15:26<\/a>.<\/p>\n<p>These projects did not solve the legal problem, but they contributed what would later be half the model: the intervention is not made by an artist alone; it is made with the community that uses the space.<\/p>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2020\/04\/quatre-camins-graffiti-persianes-lliures-art-urba-6-768x510.jpg\" alt=\"Quatre Camins: six artists and eight inmates painting a prison wall.\" width=\"768\" height=\"510\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">\u00abThe exact opposite of a free wall\u00bb<\/span>Quatre Camins: six artists and eight inmates painting a prison wall.<\/figcaption><\/figure>\n<h3 id=\"f2\" class=\"ch\"><span class=\"ch-n\">Phase 2<\/span><span class=\"ch-y\">2012-2016<\/span><span class=\"ch-t\">Murs Lliures<\/span><\/h3>\n<h4>What it was<\/h4>\n<p><strong>A network of municipal walls made available by the City Council so they could be painted legally<\/strong>, managed by Rebobinart. The change from the shutters is one of ownership: these are no longer private walls but <strong>public space opened up by agreement with the district<\/strong>.<\/p>\n<p>How it worked, for anyone who wanted to paint:<\/p>\n<ol>\n<li>You registered on the website \u2014and, from 2014, on the <a href=\"https:\/\/www.rebobinart.com\/en\/project\/app-murslliures\/\">mobile app<\/a>.<\/li>\n<li>You chose <strong>which wall<\/strong> and <strong>which day<\/strong>.<\/li>\n<li>You <strong>downloaded the permit<\/strong> instantly, with no sketch or proposal to submit.<\/li>\n<li>You went and painted, in daylight and with the permit on you.<\/li>\n<li>You photographed the piece and uploaded it: each wall built up its own record of interventions.<\/li>\n<\/ol>\n<p>The works were <strong>ephemeral and rotating<\/strong>: after a while, the wall opened up again. There was no filter \u2014not of quality, not of track record, not of content: a veteran writer, an illustrator who had never painted outdoors or a neighbour could all use it.<\/p>\n<p>It began with <strong>a single wall<\/strong> \u2014the Tres Xemeneies gardens, on 28 October 2012\u2014 and spread to Sant Mart\u00ed and Sant Andreu, with close to <strong>600 registered artists<\/strong> in the first year alone.<\/p>\n<h4>The problem it solved: opening up public space without anyone taking it over<\/h4>\n<p>In January 2012 the association was set up to negotiate the handover. <a href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc\" target=\"_blank\" rel=\"noopener\">Roger Pous drafted its terms<\/a> and describes the negotiation: one year, four consecutive levels \u2014mayor&#8217;s office, district, neighbourhood technical staff and the administrative officers\u2014, each with the power to block it. The initial obstacle was not about planning but about definitions: the first discussion was whether graffiti is art at all <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=190s\" target=\"_blank\" rel=\"noopener\">&#9654; min 3:10<\/a>.<\/p>\n<div class=\"rbv\" data-v=\"csA65ovZnTc\" data-s=\"0\" role=\"button\" tabindex=\"0\" aria-label=\"Play video: Roger Pous on negotiating with the City Council\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/i.ytimg.com\/vi\/csA65ovZnTc\/hqdefault.jpg\" alt=\"Roger Pous on negotiating with the City Council\" width=\"480\" height=\"360\" loading=\"lazy\" decoding=\"async\"><span class=\"rbv-p\" aria-hidden=\"true\"><\/span><span class=\"rbv-t\"><strong>Roger Pous on negotiating with the City Council<\/strong><em>Four levels, one year and the permit with no sketch \u00b7 10 min<\/em><\/span><\/div>\n<h4>The five design decisions<\/h4>\n<p><strong>1. Whoever manages the wall does not paint on it<\/strong> <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=40s\" target=\"_blank\" rel=\"noopener\">&#9654; min 0:40<\/a>. Other collectives had obtained legal walls elsewhere, and the usual pattern was that they became that collective&#8217;s wall. \u00abSince we did not want to paint, we wanted to open the walls to everyone.\u00bb It had a cost: the organisation sat between two camps \u2014too much of an outsider for the scene, too much of a writer for the administration\u2014 <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=144s\" target=\"_blank\" rel=\"noopener\">&#9654; min 2:24<\/a>.<\/p>\n<p><strong>2. No quality or track-record filter.<\/strong> This is the decision that widened the user base well beyond graffiti, and the one the artistic direction would later defend through Kant: if there is no universal canon of beauty, nobody can decide who deserves a wall <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=xI30x6wXSc0&amp;t=2333s\" target=\"_blank\" rel=\"noopener\">&#9654; min 38:53<\/a>.<\/p>\n<p><strong>3. Immediate permit, no sketch<\/strong> <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=403s\" target=\"_blank\" rel=\"noopener\">&#9654; min 6:43<\/a>. The existing municipal permit required a sketch of the work and a justification, and took weeks or months: incompatible with the practice, and a form of prior content control.<\/p>\n<p><strong>4. Systematic documentation.<\/strong> Visibility for an ephemeral work, traceability for the administration.<\/p>\n<p><strong>5. Social groundwork before any wall<\/strong> <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=453s\" target=\"_blank\" rel=\"noopener\">&#9654; min 7:33<\/a>. Three or four hundred meetings in a year with residents&#8217; associations, local organisations and schools <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=xI30x6wXSc0&amp;t=2237s\" target=\"_blank\" rel=\"noopener\">&#9654; min 37:17<\/a>. A free wall without the neighbourhood behind it becomes a local conflict at the first complaint.<\/p>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2012\/10\/murs-lliures-rebobinart-graffiti-barcelona-1-768x516.jpg\" alt=\"Barcelona's first legal wall, in the Tres Xemeneies gardens, October 2012.\" width=\"768\" height=\"516\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">28 October 2012<\/span>Barcelona&#8217;s first legal wall, in the Tres Xemeneies gardens, October 2012.<\/figcaption><\/figure>\n<h4>Outcome<\/h4>\n<p>On 28 October 2012 <a href=\"https:\/\/www.rebobinart.com\/en\/project\/inauguracio-murslliures\/\">Barcelona&#8217;s first legal wall<\/a> opened: \u00abjust one wall, but a legendary one\u00bb <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=509s\" target=\"_blank\" rel=\"noopener\">&#9654; min 8:29<\/a>. Television was there <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=HrD6dGtRHKo&amp;t=75s\" target=\"_blank\" rel=\"noopener\">&#9654; min 1:15<\/a>:<\/p>\n<blockquote><p>It democratises art. It makes no difference whether you are Dal\u00ed or you or me. There is no better gallery than a city.<cite>Television report, 28 October 2012<\/cite><\/p><\/blockquote>\n<div class=\"rbv\" data-v=\"HrD6dGtRHKo\" data-s=\"60\" role=\"button\" tabindex=\"0\" aria-label=\"Play video: \u00abThere is no better gallery than a city\u00bb\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/i.ytimg.com\/vi\/HrD6dGtRHKo\/hqdefault.jpg\" alt=\"\u00abThere is no better gallery than a city\u00bb\" width=\"480\" height=\"360\" loading=\"lazy\" decoding=\"async\"><span class=\"rbv-p\" aria-hidden=\"true\"><\/span><span class=\"rbv-t\"><strong>\u00abThere is no better gallery than a city\u00bb<\/strong><em>Television report from the day the first wall opened, 28.10.2012<\/em><\/span><\/div>\n<p>There were around 600 registered writers, and the City Council attached an explicit condition: it was a pilot project and, if it worked, expanding it would be considered <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=HrD6dGtRHKo&amp;t=113s\" target=\"_blank\" rel=\"noopener\">&#9654; min 1:53<\/a>. The next day, <em>La Vanguardia<\/em> ran the headline <a href=\"https:\/\/www.lavanguardia.com\/mon-barcelona\/20121029\/54353618449\/grafiti-con-permiso.html\" target=\"_blank\" rel=\"noopener\">\u00abGraffiti with permission\u00bb<\/a>. That same year the project was recognised at the <a href=\"https:\/\/www.rebobinart.com\/en\/project\/premis-bdigital-a-la-innovacio-2012\/\">BDigital Innovation Awards<\/a>, in the innovative ideas and pilot projects category <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=vHy3M53aOJg\" target=\"_blank\" rel=\"noopener\">&#9654; video<\/a>.<\/p>\n<p>The pilot expanded to <a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-de-sant-marti\/\">Sant Mart\u00ed in 2013<\/a>, where the available space allowed it to move much faster <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc&amp;t=521s\" target=\"_blank\" rel=\"noopener\">&#9654; min 8:41<\/a>, and to <a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-in-sant-andreu\/\">Sant Andreu in 2017<\/a>.<\/p>\n<p>The main effect was on who took part: <strong>people who had never painted outdoors started doing it<\/strong>. Visual artist Enric Font explained it in 2014 <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=AUMKdQf3Em0&amp;t=92s\" target=\"_blank\" rel=\"noopener\">&#9654; min 1:32<\/a>:<\/p>\n<blockquote><p>I had never painted in the street until I started going through the app.<cite>Enric Font, visual artist<\/cite><\/p><\/blockquote>\n<p>More in his <a href=\"https:\/\/www.rebobinart.com\/en\/enric-font\/\">interview<\/a> and in <a href=\"https:\/\/www.rebobinart.com\/en\/nuria-toll\/\">N\u00faria Toll&#8217;s<\/a>. <a href=\"https:\/\/www.rebobinart.com\/en\/projects\/womart\/\">Many more women<\/a> also came in. The assessment at the time was cautious: \u00abit is not an easy city\u2026 but it is all a process\u00bb <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=0ibTlqGQPmM&amp;t=56s\" target=\"_blank\" rel=\"noopener\">&#9654; min 0:56<\/a>. In 2015 the project received Barcelona Activa&#8217;s Social Entrepreneurship Award <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=1PpiaqU3fzk&amp;t=165s\" target=\"_blank\" rel=\"noopener\">&#9654; TV2, min 2:45<\/a>.<\/p>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2014\/10\/2014-07-11-17.31.06-768x574.jpg\" alt=\"With the app, the permit went from weeks to one tap on your phone, standing at the wall.\" width=\"768\" height=\"574\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">The app, 2014<\/span>With the app, the permit went from weeks to one tap on your phone, standing at the wall.<\/figcaption><\/figure>\n<h3 id=\"f3\" class=\"ch\"><span class=\"ch-n\">Phase 3<\/span><span class=\"ch-y\">2016-2024<\/span><span class=\"ch-t\">Wallspot<\/span><\/h3>\n<h4>What it was<\/h4>\n<p><strong>The same system turned into an international platform.<\/strong> <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wallspot-plataforma\/\">Wallspot<\/a> was not a single-city project: it was the tool that let <strong>any wall owner \u2014a city council, a company, an organisation, in any country\u2014<\/strong> make it publicly available, and let <strong>any registered artist<\/strong> use it.<\/p>\n<ol>\n<li>The owner registered the wall, with its conditions of use.<\/li>\n<li>The artist <strong>booked<\/strong> it and obtained a <strong>licence of up to three days<\/strong>.<\/li>\n<li>They painted, and uploaded a photograph of the work.<\/li>\n<li>Each wall had its own <strong>public geolocated gallery<\/strong>, with every layer painted over the years.<\/li>\n<\/ol>\n<p>It was, at once, a permit management system and <strong>an archive<\/strong>: the memory of an art form that by definition disappears. <strong>Photographers<\/strong> had a role of their own, not an ancillary one.<\/p>\n<ul class=\"xifres\">\n<li><strong>106<\/strong><span>walls in 22 cities<\/span><\/li>\n<li><strong>33,000<\/strong><span>documented interventions<\/span><\/li>\n<li><strong>22,000<\/strong><span>registered users<\/span><\/li>\n<li><strong>12<\/strong><span>Wall Labs<\/span><\/li>\n<\/ul>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2020\/04\/Wallspot_1-768x512.jpg\" alt=\"Wallspot: the same system, open to any wall owner and any city.\" width=\"768\" height=\"512\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">The platform, 2016<\/span>Wallspot: the same system, open to any wall owner and any city.<\/figcaption><\/figure>\n<h4>The problem it solved: the model worked in one city and was not exportable<\/h4>\n<p>Murs Lliures was a local agreement with permits handled manually. It had to become infrastructure. Wallspot was born in October 2016, designed by Huaman Studio; <a href=\"https:\/\/www.domestika.org\/es\/blog\/443-wallspot-el-airbnb-del-arte-urbano\" target=\"_blank\" rel=\"noopener\"><em>Domestika<\/em> called it \u00abthe Airbnb of urban art\u00bb<\/a> \u2014a comparison the founders had already used back in 2010 for the shutters <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA&amp;t=587s\" target=\"_blank\" rel=\"noopener\">&#9654; min 9:47<\/a>\u2014 and in February 2017 <a href=\"https:\/\/www.vice.com\/es\/article\/descubre-wallspot\/\" target=\"_blank\" rel=\"noopener\"><em>VICE<\/em> gave it its international launch<\/a>.<\/p>\n<h4>The underlying change: permission stops being requested<\/h4>\n<p>Under Murs Lliures, each intervention was authorised one by one: the wall was available, but the artist <strong>requested<\/strong> a permit for a specific day. With Wallspot the process on the website is practically the same, and yet it comes to be called something else <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=xI30x6wXSc0&amp;t=326s\" target=\"_blank\" rel=\"noopener\">&#9654; min 5:26<\/a>:<\/p>\n<blockquote><p>Before, artists asked for permission on the website; now they make a booking on the website. Painting the city of Barcelona is legal in certain spaces, but now we call it a booking.<cite>Marc Garcia, Centre Cultural Albareda, 2018<\/cite><\/p><\/blockquote>\n<p>It is a change of vocabulary, and that is precisely why it matters: <strong>booking only makes sense once the space is already designated for that purpose<\/strong>. Nobody asks permission to use a municipal tennis court; they book an hour. Once the wall stops being an exception authorised case by case and becomes a standing facility, the process stops being an authorisation and becomes scheduling.<\/p>\n<p>The clearest image of it came in December 2016, painting the inner walls of the Sant Andreu football ground <a class=\"vid\" href=\"https:\/\/www.youtube.com\/watch?v=wLxPOiEnsXw&amp;t=38s\" target=\"_blank\" rel=\"noopener\">&#9654; min 0:38<\/a>:<\/p>\n<blockquote><p>We always say this is the bike lane. We have built the bike lane of art. Anyone can come here and paint whatever they want. These spaces may last a week, a month or a year, but you know your work will eventually disappear.<cite>Marc Garcia, December 2016<\/cite><\/p><\/blockquote>\n<div class=\"rbv\" data-v=\"wLxPOiEnsXw\" data-s=\"30\" role=\"button\" tabindex=\"0\" aria-label=\"Play video: \u00abWe have built the bike lane of art\u00bb\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/i.ytimg.com\/vi\/wLxPOiEnsXw\/hqdefault.jpg\" alt=\"\u00abWe have built the bike lane of art\u00bb\" width=\"480\" height=\"360\" loading=\"lazy\" decoding=\"async\"><span class=\"rbv-p\" aria-hidden=\"true\"><\/span><span class=\"rbv-t\"><strong>\u00abWe have built the bike lane of art\u00bb<\/strong><em>The walls at the Sant Andreu ground, December 2016<\/em><\/span><\/div>\n<p>Both halves of the sentence are the whole model: a bike lane is always there, it does not assess who rides on it, and what happens on it does not stay.<\/p>\n<h4>Programming the wall, not just opening it<\/h4>\n<p>An open wall with no programming tends towards saturation and repetition. From December 2018 the system was complemented with four formats:<\/p>\n<table>\n<thead>\n<tr>\n<th>Format<\/th>\n<th>What it solves<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Wall Labs<\/strong><\/td>\n<td>Spaces handed to an artist or collective for <strong>a whole year<\/strong>: they allow long-lasting work, which rotation prevents \u2014 <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-eina\/\">EINA<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-anna-taratiel\/\">Anna Taratiel<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-roc-blackblock\/\">Roc Blackblock<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-mina-and-kenor\/\">Mina and Kenor<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-la-model\/\">La Model<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Themed JAMs<\/strong><\/td>\n<td>A social organisation proposes the theme and two guest artists select between eight and twelve creators \u2014 <a href=\"https:\/\/www.rebobinart.com\/en\/project\/writers-jam\/\">Writers<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/block-jam\/\">Block<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/wild-life-jam\/\">Wild Life<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/lgtbiq_jam\/\">LGBTIQ+<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/project\/migration-jam\/\">Migration<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Wall Claim<\/strong><\/td>\n<td><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-claim-by-maga\/\">Advocacy commissions<\/a> on a specific wall<\/td>\n<\/tr>\n<tr>\n<td><strong>Travel the Wall<\/strong><\/td>\n<td>An <a href=\"https:\/\/www.rebobinart.com\/en\/project\/travel-the-wall-x-thijs-lansbergen\/\">open call<\/a> that brings an artist from elsewhere to paint in the city<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>The platform&#8217;s own data produced a finding that opened up a separate strand of work: <strong>96 % of those booking a wall were men<\/strong>. <a href=\"https:\/\/www.rebobinart.com\/en\/projects\/womart\/\">Womart<\/a> came out of that.<\/p>\n<p>The model was exported to <a href=\"https:\/\/www.rebobinart.com\/en\/project\/legal-walls-in-madrid\/\">Madrid<\/a> (2020, Moratalaz and Puente de Vallecas) and <a href=\"https:\/\/www.rebobinart.com\/en\/project\/terrassa-walls-jam\/\">Terrassa<\/a> (2021), and received the Catalan Government&#8217;s Civic Award (2018), a grant from the Barcelona Metropolitan Area (2019) and <a href=\"https:\/\/www.rebobinart.com\/en\/project\/the-ministry-of-culture-recognises-wallspot-as-one-of-the-best-cultural-and-creative-industries-projects\/\">recognition from Spain&#8217;s Ministry of Culture<\/a> (2022). In 2018 there was a <a href=\"https:\/\/www.rebobinart.com\/en\/project\/exhibition-murs-lliures\/\">retrospective exhibition at the Centre Cultural Albareda<\/a> \u2014the source of the talk that documents this article\u2014 and another at <a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-in-montana-gallery\/\">Montana Gallery<\/a>.<\/p>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2020\/04\/exposicio%CC%81-murs-lliures_ccalbareda-768x512.jpg\" alt=\"The \u00abMurs Lliures\u00bb exhibition at the Centre Cultural Albareda, 2018. That day produced the talks that document this article.\" width=\"768\" height=\"512\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">Centre Cultural Albareda, 2018<\/span>The \u00abMurs Lliures\u00bb exhibition at the Centre Cultural Albareda, 2018. That day produced the talks that document this article.<\/figcaption><\/figure>\n<figure class=\"rbf\"><img class=\"thb-ignore-lazyload\" src=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2020\/12\/IMG_20201130_090108-768x576.jpg\" alt=\"A mural by Galleta Maria at the Womart JAM: an organisation sets the theme and the artists paint it in a day.\" width=\"768\" height=\"576\" loading=\"lazy\" decoding=\"async\"><figcaption><span class=\"k\">Womart JAM<\/span>A mural by Galleta Maria at the Womart JAM: an organisation sets the theme and the artists paint it in a day.<\/figcaption><\/figure>\n<h4>The model&#8217;s two limits<\/h4>\n<ol>\n<li><strong>Financial and technical.<\/strong> A platform with an app, a database and a gallery carries permanent maintenance costs out of all proportion to the size of the sector.<\/li>\n<li><strong>Structural.<\/strong> A free wall provides space, permission and visibility, <strong>but no fees<\/strong>. Artists raised that objection from day one and they were right: working for free is sustainable for an experimental space, not as a professional relationship. The answer to that limit is not the free wall but paid commissioned work.<\/li>\n<\/ol>\n<h3 id=\"f4\" class=\"ch\"><span class=\"ch-n\">Phase 4<\/span><span class=\"ch-y\">2023-today<\/span><span class=\"ch-t\">Murs Oberts<\/span><\/h3>\n<p>In <strong>April 2023<\/strong> the Barcelona Institute of Culture launched <a href=\"https:\/\/www.barcelona.cat\/barcelonacultura\/en\/murs-oberts\" target=\"_blank\" rel=\"noopener\">Murs Oberts<\/a>: a municipal network of free-use walls managed directly by the City Council. It started with <strong>14 walls<\/strong>; today there are <strong>19<\/strong>.<\/p>\n<table>\n<thead>\n<tr>\n<th><\/th>\n<th>Murs Lliures \/ Wallspot<\/th>\n<th>Murs Oberts<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<th>Permission<\/th>\n<td>Immediate, but you had to obtain it<\/td>\n<td><strong>None<\/strong>: just turn up<\/td>\n<\/tr>\n<tr>\n<th>Booking<\/th>\n<td>Yes, by day and wall<\/td>\n<td><strong>No<\/strong><\/td>\n<\/tr>\n<tr>\n<th>Management<\/th>\n<td>External body under a per-wall agreement<\/td>\n<td><strong>100 % municipal<\/strong><\/td>\n<\/tr>\n<tr>\n<th>Boundaries<\/th>\n<td>By agreement with the district<\/td>\n<td><strong>Physical signage<\/strong> fixed to the wall<\/td>\n<\/tr>\n<tr>\n<th>Documentation<\/th>\n<td>Public gallery of every work<\/td>\n<td><strong>None<\/strong><\/td>\n<\/tr>\n<tr>\n<th>Rules<\/th>\n<td>Platform terms of use<\/td>\n<td><strong>Code of conduct<\/strong>: nothing offensive, sexist, xenophobic or advertising<\/td>\n<\/tr>\n<tr>\n<th>Permanence<\/th>\n<td>Agreed rotation<\/td>\n<td><strong>No guarantee<\/strong>, of duration or upkeep<\/td>\n<\/tr>\n<tr>\n<th>Rights<\/th>\n<td>Retained by the author<\/td>\n<td><strong>Retained by the author<\/strong> (integrity of the work and non-commercial use)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>In <strong>September 2024<\/strong> Wallspot closed: the technology costs were no longer sustainable, the city already had its own tool and the sector had shifted towards commissioned murals and festivals. It was covered by <a href=\"https:\/\/beteve.cat\/cultura\/rebobinart-tancara-murs-lliures-finals-setembre\/\" target=\"_blank\" rel=\"noopener\">betev\u00e9<\/a>, <a href=\"https:\/\/www.elperiodico.com\/es\/barcelona\/20240905\/cierra-wallspot-plataforma-convirtio-barcelona-capital-grafiti-legal-107770552\" target=\"_blank\" rel=\"noopener\"><em>El Peri\u00f3dico<\/em><\/a> and <a href=\"https:\/\/www.lavanguardia.com\/local\/barcelona\/20240906\/9915681\/gran-plataforma-grafiti-legal-barcelona-desenchufa.html\" target=\"_blank\" rel=\"noopener\"><em>La Vanguardia<\/em><\/a>.<\/p>\n<h4>What is gained and what is lost<\/h4>\n<p><strong>Stability is gained.<\/strong> The walls no longer depend on an agreement or on one organisation staying afloat: they are an ordinary municipal facility, the way a skatepark is.<\/p>\n<p><strong>The record is lost.<\/strong> And that can be quantified: over twelve years, Wallspot documented <strong>33,000 interventions<\/strong> with authorship and date. Since 2023, <strong>none are documented<\/strong>. Today there is no way to know how many works have been painted on Barcelona&#8217;s walls, who made them, or what was on that wall before. The city has gained the infrastructure and lost the memory of what happens on it.<\/p>\n<h3 id=\"tot\">Everything that was done<\/h3>\n<p>Twelve years left more than seventy documented actions. This is the full record, grouped by programme: each entry links to its own page with photos, artists and context.<\/p>\n<div class=\"inv\">\n<div class=\"inv-g\">\n<h4>Persianes Lliures (2010-2012)<\/h4>\n<p class=\"inv-sub\">Shops, markets, social centres and a prison. Seven actions with the same mechanics: a surface made available, a free hand for the artist, no cost.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/persianes-lliures\/\">Persianes Lliures<\/a> <span>2010<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/centre-dacollida-assis\/\">Centre d\u2019acollida Ass\u00eds<\/a> <span>2010<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/mercat-de-castelldefels\/\">Mercat de Castelldefels<\/a> <span>2010<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/persianes-lliures-madrid\/\">Persianes Lliures Madrid<\/a> <span>2011<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/p-art-barcelona-gallery\/\">P-Art Barcelona<\/a> <span>2011<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/viu-el-mur-de-sant-boi\/\">Viu el mur de Sant Boi<\/a> <span>2011<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/quatre-camins\/\">Quatre Camins<\/a> <span>2012<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>Murs Lliures: opening up the city (2012-2017)<\/h4>\n<p class=\"inv-sub\">From the first wall to the district network, the app and the first awards.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-free-walls\/\">Murs Lliures<\/a> <span>2012<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/premis-bdigital-a-la-innovacio-2012\/\">Premis BDigital a la Innovaci\u00f3 2012<\/a> <span>2012<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/inauguracio-murslliures\/\">Inauguraci\u00f3 Murslliures<\/a> <span>2012<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-de-sant-marti\/\">Murs Lliures de Sant Mart\u00ed<\/a> <span>2013<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/weart-festival\/\">Weart Festival<\/a> <span>2013<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/app-murslliures\/\">APP Murslliures<\/a> <span>2014<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-in-the-contest-appscultura\/\">Murs Lliures al concurs Apps&amp;Cultura<\/a> <span>2015<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/culthunting-day\/\">CultHunting DAY<\/a> <span>2015<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/cultsurfing\/\">Cultsurfing<\/a> <span>2015<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-in-sant-andreu\/\">Murs Lliures a Sant Andreu<\/a> <span>2017<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/periferia-beat\/\">Periferia Beat<\/a> <span>2017<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>Taking it outside: exhibitions, conferences and showcases<\/h4>\n<p class=\"inv-sub\">The project as a case study: from Smart City Expo to Google Campus Madrid.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/smart-city-expo-2016\/\">Smart City Expo 2016<\/a> <span>2016<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/google-campus-madrid\/\">Google Campus Madrid<\/a> <span>2017<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/exhibition-murs-lliures\/\">Exposici\u00f3 Murs Lliures<\/a> <span>2018<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/hit-the-wall\/\">HIT THE WALL<\/a> <span>2018<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/murs-lliures-in-montana-gallery\/\">MURS LLIURES a Montana Gallery<\/a> <span>2018<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/jornadas-internacionais-de-turismo\/\">Jornadas Internacionais de Turismo<\/a> <span>2018<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wallspot-plataforma\/\">Wallspot<\/a> <span>2016<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/the-ministry-of-culture-recognises-wallspot-as-one-of-the-best-cultural-and-creative-industries-projects\/\">El Ministerio de Cultura reconeix Wallspot com un dels millors projectes d\u2019ind\u00fastries culturals i creatives<\/a> <span>2022<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>Wall Labs: a wall for a whole year<\/h4>\n<p class=\"inv-sub\">Twelve editions. The artist has the space for twelve months, which rotation does not allow.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-eina\/\">WALL LAB by EINA<\/a> <span>2018<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-tim-marsh\/\">WALL LAB by Tim Marsh<\/a> <span>2019<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-anna-taratiel\/\">WALL LAB by Anna Taratiel<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-spogo\/\">Wall Lab by SPOGO<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-ele-zissou\/\">WALL LAB BY  Ele.zissou<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-borneo-modofoker\/\">WALL LAB BY Borneo Modofoker<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-roc-blackblock\/\">WALL LAB BY Roc Blackblock<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-mina-and-kenor\/\">Wall Lab by MINA AND KENOR<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-bemie\/\">Wall Lab by Bemie<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-inventura-studio-zaick-maru-hrz-eloise-gillow\/\">Wall Lab by Inventura Studio, Zaick, Maru, Eloise Gillow<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-carola-bagnato-dirty-galleta-maria-pol-pinto\/\">Wall Lab by Carola Bagnato , Dirty, Galleta Maria, Pol Pint\u00f3<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-by-dante-arcade\/\">Wall Lab by Dante Arcade<\/a> <span>2022<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-la-model\/\">Wall Lab La Model<\/a> <span>2022<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-lab-la-model-2023\/\">Wall Lab La Model 2023<\/a> <span>2023<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>JAMs: one theme, one organisation, twelve artists in a day<\/h4>\n<p class=\"inv-sub\">Intensive creation days. The social organisation sets the theme; two guest artists choose who paints.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/writers-jam\/\">WRITERS JAM<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/womartjam\/\">WOMART JAM<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/block-jam\/\">BLOCK JAM<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/extinction-jam\/\">EXTICTION JAM<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/sports-jam\/\">SPORTS JAM<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/writers-jam-2021\/\">WRITERS JAM 2021<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/abstraction-jam\/\">ABSTRACTION JAM<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/womart-jam-8m\/\">WOMART JAM 8M<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wild-life-jam\/\">WILD LIFE JAM<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/logoart-jam\/\">LOGOART JAM<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/realism-jam\/\">REALISM JAM<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/terrassa-walls-jam\/\">Terrassa Walls JAM<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/terrassa-walls-x-latent-fest\/\">Terrassa Walls x Latent Fest<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/womart-jam-8m-2\/\">WOMART JAM 8M<\/a> <span>2022<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/lgtbiq_jam\/\">LGTBIQ+ JAM WALLSPOT<\/a> <span>2022<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/migration-jam\/\">JAM MIGRACI\u00d3 WALLSPOT<\/a> <span>2022<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/iv-womart-jam\/\">IV WOMART JAM<\/a> <span>2023<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/lgtbiq-jam-wallspot\/\">LGTBIQ+ JAM 2023<\/a> <span>2023<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>Wall Claim and Travel the Wall<\/h4>\n<p class=\"inv-sub\">Advocacy commissions on a specific wall, and an open call bringing an artist from elsewhere to paint in Barcelona.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-claim-by-emily-eldridge\/\">WALL CLAIM BY Emily Eldridge<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-claim-by-felipe-pincel\/\">WALL CLAIM by Felipe Pincel<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-claim-by-killa-ek\/\">WALL CLAIM by Killa EK<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-claim-by-santiago-elefante\/\">WALL CLAIM by Santiago Elefante<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/wall-claim-by-maga\/\">WALL CLAIM by Maga<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/travel-the-wall-x-thijs-lansbergen\/\">TRAVEL THE WALL X THIJS LANSBERGEN<\/a> <span>2022<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>The model beyond Barcelona<\/h4>\n<p class=\"inv-sub\">Madrid (Moratalaz and Puente de Vallecas), Terrassa, and the closing of the Madrid pilot with 56 artists at once.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/legal-walls-in-madrid\/\">Murs Legals a Madrid<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/moratalaz-graffiti-workshop\/\">Taller de graffiti a Moratalaz<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/closure-of-the-legal-walls-in-madrid\/\">Tancament Murs Lliures Madrid<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/terrassa-walls-rebobinart\/\">Terrassa Walls &amp; Rebobinart<\/a> <span>2021<\/span><\/li>\n<\/ul>\n<\/div>\n<div class=\"inv-g\">\n<h4>Activations, training and new walls<\/h4>\n<p class=\"inv-sub\">Everything that happened on the walls when there was no JAM or Wall Lab.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/formacio-dartistes-wallspot\/\">Formaci\u00f3 d\u2019artistes WALLSPOT<\/a> <span>2019<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/new-wallspot-wall-opening\/\">Inauguraci\u00f3 nou mur Wallspot<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/black-lives-matter-by-elxupetnegre\/\">Black Lives Matter by Elxupetnegre<\/a> <span>2020<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/live-painting-kronos-art-bcn\/\">Live Painting Kronos Art BCN<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/estructuras-volatiles\/\">Estructuras Vol\u00e1tiles<\/a> <span>2021<\/span><\/li>\n<li><a href=\"https:\/\/www.rebobinart.com\/en\/project\/womart-trinitat-vella\/\">Womart Trinitat Vella<\/a> <span>2018<\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h3 id=\"murs\">Where you can legally paint in Barcelona right now<\/h3>\n<p>These are the <strong>19 Murs Oberts<\/strong> in the municipal network, by district, as listed today in the Institut de Cultura catalogue. No permit or booking needed. Each wall&#8217;s address, photo, directions and the rules are on the practical page: <a href=\"https:\/\/www.rebobinart.com\/en\/legal-walls-barcelona\/\"><strong>Legal graffiti walls in Barcelona: where to paint today<\/strong><\/a>.<\/p>\n<ul class=\"murs-compacte\" style=\"list-style:none;padding:0;margin:16px 0\"><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Ciutat Vella<\/strong> (3): Camp de futbol Parc de la Catalana \u00b7 Passeig de Circumval\u2219laci\u00f3 \u00b7 Pla\u00e7a de Terenci Moix<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Gr\u00e0cia<\/strong> (3): Jardins de Caterina Albert \u00b7 Jardins de Manuel Torrente \u00b7 Travessera de Gr\u00e0cia 104<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Horta-Guinard\u00f3<\/strong> (1): Pas soterrat Vel\u00f2drom Horta<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Les Corts<\/strong> (1): Jardins \u00c0urea Cuadrado (General Batet amb Manuel Aza\u00f1a)<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Nou Barris<\/strong> (1): Ronda  de  la  Guineueta Vella 51<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Sant Andreu<\/strong> (4): Basconia amb Riera Sant Andreu \u00b7 Estadella amb Santander \u00b7 Exterior Nau Bostik \u00b7 Skate Park Bar\u00f3 de Viver<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Sant Mart\u00ed<\/strong> (2): Arag\u00f3 amb Bilbao \u00b7 Doctor Trueta amb \u00c0laba<\/li><li style=\"padding:6px 0;border-top:1px solid #e6e6e6\"><strong>Sants-Montju\u00efc<\/strong> (4): Jardins Walter Benjamin \u00b7 Jardins de les Tres Xemeneies \u00b7 Metal\u00b7l\u00fargia amb Motors \u00b7 carrer Papin<\/li><\/ul><p><a href=\"https:\/\/www.rebobinart.com\/en\/legal-walls-barcelona\/\"><strong>See all 19 walls with map and photos \u2192<\/strong><\/a><\/p>\n<p class=\"font-murs\">Source: Institut de Cultura de Barcelona (Murs Oberts). Data updated on 24\/10\/2026.<\/p>\n<h3 id=\"mapa\">Map of the 19 walls<\/h3>\n<p>Each point is a City Council open wall. Click it for the address and to open it on a map.<\/p>\n<script type=\"application\/json\" id=\"rbmapa-data\">[{\"n\":\"Camp de futbol Parc de la Catalana\",\"a\":\"Carrer del Doctor Aiguader 58\",\"d\":\"Ciutat Vella\",\"b\":\"la Barceloneta\",\"lat\":41.383860030974354,\"lng\":2.1914897192892453},{\"n\":\"Passeig de Circumval\u2219laci\u00f3\",\"a\":\"Passeig de Circumval\u00b7laci\u00f3 1\",\"d\":\"Ciutat Vella\",\"b\":\"Sant Pere, Santa Caterina i la Ribera\",\"lat\":41.385527323409647,\"lng\":2.1864100554182557},{\"n\":\"Pla\u00e7a de Terenci Moix\",\"a\":\"Pla\u00e7a de Terenci Moix 1\",\"d\":\"Ciutat Vella\",\"b\":\"el Raval\",\"lat\":41.38411441856212,\"lng\":2.1654072892747367},{\"n\":\"Jardins de Caterina Albert\",\"a\":\"Passatge de Mariner 14\",\"d\":\"Gr\u00e0cia\",\"b\":\"el Camp d'en Grassot i Gr\u00e0cia Nova\",\"lat\":41.403556359413365,\"lng\":2.1699198635080639},{\"n\":\"Jardins de Manuel Torrente\",\"a\":\"Carrer de l'Alzina 6 - 8\",\"d\":\"Gr\u00e0cia\",\"b\":\"la Vila de Gr\u00e0cia\",\"lat\":41.406115643227835,\"lng\":2.1567854780415132},{\"n\":\"Travessera de Gr\u00e0cia 104\",\"a\":\"Travessera de Gr\u00e0cia 104\",\"d\":\"Gr\u00e0cia\",\"b\":\"la Vila de Gr\u00e0cia\",\"lat\":41.399138858006751,\"lng\":2.1543757896538409},{\"n\":\"Pas soterrat Vel\u00f2drom Horta\",\"a\":\"Passeig de la Vall d'Hebron 201\",\"d\":\"Horta-Guinard\u00f3\",\"b\":\"Horta\",\"lat\":41.437577045370972,\"lng\":2.1488519486496069},{\"n\":\"Jardins \u00c0urea Cuadrado (General Batet amb Manuel Aza\u00f1a)\",\"a\":\"Carrer del General Batet 1 - 7\",\"d\":\"Les Corts\",\"b\":\"la Maternitat i Sant Ramon\",\"lat\":41.378531583783563,\"lng\":2.108929148887257},{\"n\":\"Ronda  de  la  Guineueta Vella 51\",\"a\":\"Ronda de la Guineueta Vella 41 - 55\",\"d\":\"Nou Barris\",\"b\":\"Canyelles\",\"lat\":41.444073923212358,\"lng\":2.1641885950805602},{\"n\":\"Basconia amb Riera Sant Andreu\",\"a\":\"Carrer de Basc\u00f2nia 1 - 3\",\"d\":\"Sant Andreu\",\"b\":\"Sant Andreu\",\"lat\":41.434422081877173,\"lng\":2.1867263355134137},{\"n\":\"Estadella amb Santander\",\"a\":\"Carrer de Santander 115\",\"d\":\"Sant Andreu\",\"b\":\"el Bon Pastor\",\"lat\":41.435315707223147,\"lng\":2.2083501594826718},{\"n\":\"Exterior Nau Bostik\",\"a\":\"Carrer de Ferran Turn\u00e9 1 - 11\",\"d\":\"Sant Andreu\",\"b\":\"la Sagrera\",\"lat\":41.424735035525224,\"lng\":2.1929282902679721},{\"n\":\"Skate Park Bar\u00f3 de Viver\",\"a\":\"Skatepark Bar\u00f3 de Viver - Estaci\u00f3 de metro Bar\u00f3 de Viver (L1)\",\"d\":\"Sant Andreu\",\"b\":\"la Trinitat Vella\",\"lat\":41.449835994882037,\"lng\":2.1996316198702424},{\"n\":\"Arag\u00f3 amb Bilbao\",\"a\":\"Carrer d'Arag\u00f3 638X - 642X\",\"d\":\"Sant Mart\u00ed\",\"b\":\"el Clot\",\"lat\":41.411428417808054,\"lng\":2.1909263643908226},{\"n\":\"Doctor Trueta amb \u00c0laba\",\"a\":\"Carrer d'\u00c0laba 26\",\"d\":\"Sant Mart\u00ed\",\"b\":\"la Vila Ol\u00edmpica del Poblenou\",\"lat\":41.393794650568637,\"lng\":2.1976828419352197},{\"n\":\"Jardins Walter Benjamin\",\"a\":\"Jardins de Walter Benjamin\",\"d\":\"Sants-Montju\u00efc\",\"b\":\"el Poble-sec\",\"lat\":41.373456574529513,\"lng\":2.1751839543720997},{\"n\":\"Jardins de les Tres Xemeneies\",\"a\":\"Jardins de les Tres Xemeneies\",\"d\":\"Sants-Montju\u00efc\",\"b\":\"el Poble-sec\",\"lat\":41.374132181997496,\"lng\":2.1720679738145496},{\"n\":\"Metal\u00b7l\u00fargia amb Motors\",\"a\":\"Carrer dels Motors 79 - 81\",\"d\":\"Sants-Montju\u00efc\",\"b\":\"la Marina del Prat Vermell\",\"lat\":41.348873506495522,\"lng\":2.1383771516729264},{\"n\":\"carrer Papin\",\"a\":\"Carrer de Papin 21 - 23\",\"d\":\"Sants-Montju\u00efc\",\"b\":\"Sants\",\"lat\":41.377776795397217,\"lng\":2.1331530348196202}]<\/script>\n<div id=\"rbmapa\" class=\"rbmapa\" data-obrir=\"Open in maps\">\n<p class=\"rbmapa-alt\">The map needs JavaScript to load. The list of all 19 walls, with address, district and neighbourhood, is just above.<\/p>\n<\/div>\n<p class=\"font-murs\">We draw this map ourselves from the Barcelona Institute of Culture&#8217;s public data: their own page cannot be embedded.<\/p>\n<h3 id=\"municipi\">How this applies to another town or city<\/h3>\n<p>The model is transferable, and it is what we design for local authorities and institutions. Six minimum components:<\/p>\n<ol>\n<li><strong>An inventory of surfaces<\/strong> in municipal ownership, or private with consent: perimeter walls, hoardings, underpasses, sports facilities, vacant plots.<\/li>\n<li><strong>A short, written r\u00e9gime of use<\/strong>: what is allowed, what is not, and who is responsible for what.<\/li>\n<li><strong>Zero or immediate paperwork.<\/strong> Anything that takes more than a few days switches off real use of the space.<\/li>\n<li><strong>No prior content control<\/strong>, with limits set by general law rather than by aesthetic judgement.<\/li>\n<li><strong>Prior agreement with the neighbourhood<\/strong>, its organisations and local facilities.<\/li>\n<li><strong>Documentation and upkeep<\/strong>: who photographs, who cleans and how often the space reopens.<\/li>\n<\/ol>\n<p>To explore how it would work in your municipality, see <a href=\"https:\/\/www.rebobinart.com\/en\/murals-for-institutions\/\">murals for institutions and public art<\/a>.<\/p>\n<h3>The outcome: from exception to ordinary public provision<\/h3>\n<p>In fourteen years the city has gone from banning to tolerating, from tolerating to authorising, and from authorising to <strong>providing<\/strong>. The walls are no longer an exception somebody has to defend every year: they are part of Barcelona&#8217;s ordinary public provision, like a football pitch or a tennis court. That was the goal, and it is the reason the project that pushed for it was no longer needed.<\/p>\n<h3>Frequently asked questions<\/h3>\n<h4>Where can you legally paint in Barcelona?<\/h4>\n<p>On the 19 walls in the City Council&#8217;s Murs Oberts network, with no permit or booking, respecting its code of conduct. <a href=\"#murs\">The list is on this page<\/a>.<\/p>\n<h4>Do I need to ask permission or book a slot?<\/h4>\n<p>No. Until 2024 you had to book the wall on the platform; now you just turn up.<\/p>\n<h4>What happened to the works documented on Wallspot?<\/h4>\n<p>The platform closed in September 2024 and the public gallery is no longer accessible. The projects produced by Rebobinart are kept <a href=\"https:\/\/www.rebobinart.com\/en\/projects\/wallspot\/\">on this website<\/a>.<\/p>\n<h4>Can my municipality have free-use walls?<\/h4>\n<p>Yes. <a href=\"#municipi\">The section above<\/a> sets out the six components. It is one of the services we provide to public authorities.<\/p>\n<h4>Does Rebobinart still manage free walls?<\/h4>\n<p>No. They have been managed directly by the City Council since 2023. Rebobinart produces <a href=\"https:\/\/www.rebobinart.com\/en\/murals-barcelona\/\">murals<\/a>, <a href=\"https:\/\/www.rebobinart.com\/en\/community-urban-art\/\">community urban art<\/a> and <a href=\"https:\/\/www.rebobinart.com\/en\/urban-art-festivals\/\">festivals<\/a>.<\/p>\n<h3>Video archive<\/h3>\n<ul class=\"media\">\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=xI30x6wXSc0\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">2018 \u00b7 56 min<\/span><span class=\"tit\">The history of Barcelona&#8217;s legal walls (full talk)<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=SbawHsfzXZA\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">2018 \u00b7 19 min<\/span><span class=\"tit\">Pau Garcia \u2014 Persianes Lliures<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=csA65ovZnTc\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">2018 \u00b7 10 min<\/span><span class=\"tit\">Roger Pous \u2014 Murs Lliures<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=OJuxu_0cJGI\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 2010<\/span><span class=\"tit\">Persianes Lliures<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=VU4cCOIPD54\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 2010<\/span><span class=\"tit\">Persianes Lliures brings together writers and shopkeepers in the Guinard\u00f3<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=YgPdkCngZlQ\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 2011<\/span><span class=\"tit\">P-Art, a car park in Les Corts<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=vHy3M53aOJg\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">2012<\/span><span class=\"tit\">BDigital Innovation Awards<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=HrD6dGtRHKo\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 28.10.2012<\/span><span class=\"tit\">Opening of the first legal wall<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=A-7y2Du9McA\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV3<\/span><span class=\"tit\">\u00abMurs lliures\u00bb to paint on<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=XqJtQ3131_o\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">2014<\/span><span class=\"tit\">Launch presentation of the Murs Lliures app<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=0ibTlqGQPmM\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 2014<\/span><span class=\"tit\">The app goes live<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=1PpiaqU3fzk&amp;t=165s\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV2 \u00b7 2015<\/span><span class=\"tit\">\u00abTinc una idea\u00bb \u2014 Barcelona Activa Social Entrepreneurship<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=Zmkh8RVz51E\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 2016<\/span><span class=\"tit\">The walls made available in Sant Mart\u00ed<\/span><\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=wLxPOiEnsXw\" target=\"_blank\" rel=\"noopener\"><span class=\"src\">TV \u00b7 12.2016<\/span><span class=\"tit\">The Sant Andreu ground and \u00abthe bike lane of art\u00bb<\/span><\/a><\/li>\n<\/ul>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>From the 2005 ban to today&#8217;s 19 free-use walls. What each project was, the problem it solved and how Barcelona arrived at the municipal Murs Oberts model \u2014 with the video sources and the list of walls where you can paint right now.<\/p>\n","protected":false},"author":3,"featured_media":28413,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"class_list":["post-27724","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-wallspot-en"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Marc Garcia\"\/>\n\t<meta name=\"google-site-verification\" content=\"x6j8XpBefNdcaOJG7giPvQg9tguxnqKBMmL7JHq8MaA\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/\" \/>\n\t\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.4\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Rebobinart\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"How painting Barcelona&#039;s walls became legal (2010-2024)\" \/>\n\t\t<meta property=\"og:description\" content=\"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/\" \/>\n\t\t<meta property=\"og:image\" content=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg\" \/>\n\t\t<meta property=\"og:image:secure_url\" content=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg\" \/>\n\t\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t\t<meta property=\"og:image:height\" content=\"1529\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2024-09-30T10:00:00+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2026-09-26T12:56:12+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary\" \/>\n\t\t<meta name=\"twitter:title\" content=\"How painting Barcelona&#039;s walls became legal (2010-2024)\" \/>\n\t\t<meta name=\"twitter:description\" content=\"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.\" \/>\n\t\t<meta name=\"twitter:image\" content=\"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg\" \/>\n\t\t<script type=\"application\/ld+json\" class=\"aioseo-schema\">\n\t\t\t{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#breadcrumblist\",\"itemListElement\":[{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/#listItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/portfolio-category\\\/wallspot-en\\\/#listItem\",\"name\":\"wallspot\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/portfolio-category\\\/wallspot-en\\\/#listItem\",\"position\":2,\"name\":\"wallspot\",\"item\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/portfolio-category\\\/wallspot-en\\\/\",\"nextItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#listItem\",\"name\":\"Persianes Lliures, Murs Lliures and Wallspot: how painting Barcelona&#8217;s walls became legal\"},\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/#listItem\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#listItem\",\"position\":3,\"name\":\"Persianes Lliures, Murs Lliures and Wallspot: how painting Barcelona&#8217;s walls became legal\",\"previousItem\":{\"@type\":\"ListItem\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/portfolio-category\\\/wallspot-en\\\/#listItem\",\"name\":\"wallspot\"}}]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/author\\\/marc\\\/#author\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/author\\\/marc\\\/\",\"name\":\"Marc Garcia\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#authorImage\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/49dbf83e8db2d45e95b93254621cf205ca251332ad569ad99b420f5ea3eee1a5?s=96&d=mm&r=g\",\"width\":96,\"height\":96,\"caption\":\"Marc Garcia\"}},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#webpage\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/\",\"name\":\"How painting Barcelona's walls became legal (2010-2024)\",\"description\":\"From fines of 600-3,000 \\u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.\",\"inLanguage\":\"en-US\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#breadcrumblist\"},\"author\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/author\\\/marc\\\/#author\"},\"creator\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/author\\\/marc\\\/#author\"},\"image\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#mainImage\",\"width\":2048,\"height\":1529,\"caption\":\"RIPO, \\u00abyour name\\u00bb \\u2013 Tres Xemeneies, Barcelona, 2013\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#mainImage\"},\"datePublished\":\"2024-09-30T10:00:00+00:00\",\"dateModified\":\"2026-09-26T12:56:12+00:00\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/\",\"name\":\"Rebobinart\",\"description\":\"Urban art production company: large-format murals for companies, institutions and communities in Barcelona, Madrid and all of Spain, since 2012.\",\"inLanguage\":\"en-US\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}},{\"@type\":[\"Organization\",\"LocalBusiness\"],\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\",\"name\":\"Rebobinart\",\"description\":\"Rebobinart is an urban art production company founded in Barcelona in 2012. We produce large-format murals and mural art for companies, institutions, city councils and communities in Barcelona, Madrid and across Spain: facades and gable walls, shop shutters, interiors, advertising murals, festivals and street art tours. Over 900 projects and more than 500 artists.\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/\",\"email\":\"info@rebobinart.com\",\"telephone\":\"+34931732266\",\"foundingDate\":\"2012-02-01\",\"logo\":{\"@type\":\"ImageObject\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/wp-content\\\/uploads\\\/2020\\\/03\\\/logo-Rebobinart-scaled.png\",\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#organizationLogo\",\"width\":2560,\"height\":307,\"caption\":\"Logo Rebobinart\"},\"image\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/project\\\/wallspot-2012-2024-twelve-years-of-free-walls\\\/#organizationLogo\"},\"sameAs\":[\"https:\\\/\\\/www.instagram.com\\\/rebobinart\\\/\",\"https:\\\/\\\/www.facebook.com\\\/rebobinart\",\"https:\\\/\\\/twitter.com\\\/rebobinart\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/rebobinart\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/rebobinart\",\"https:\\\/\\\/www.wikidata.org\\\/wiki\\\/Q140404160\",\"https:\\\/\\\/maps.google.com\\\/?cid=7690349004304836382\"],\"legalName\":\"Rebobinart\",\"foundingLocation\":{\"@type\":\"Place\",\"name\":\"Barcelona\"},\"address\":{\"@type\":\"PostalAddress\",\"streetAddress\":\"Cardenal Tedeschini Street, 69, Ground floor\",\"addressLocality\":\"Barcelona\",\"addressRegion\":\"Catalonia\",\"postalCode\":\"08027\",\"addressCountry\":\"ES\"},\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":41.4269374,\"longitude\":2.1802385},\"hasMap\":\"https:\\\/\\\/maps.google.com\\\/?cid=7690349004304836382\",\"openingHoursSpecification\":{\"@type\":\"OpeningHoursSpecification\",\"dayOfWeek\":[\"Monday\",\"Tuesday\",\"Wednesday\",\"Thursday\",\"Friday\"],\"opens\":\"10:00\",\"closes\":\"16:00\"},\"areaServed\":[{\"@type\":\"Country\",\"name\":\"Spain\"},{\"@type\":\"City\",\"name\":\"Barcelona\"},{\"@type\":\"City\",\"name\":\"Madrid\"},{\"@type\":\"City\",\"name\":\"Val\\u00e8ncia\"}],\"contactPoint\":{\"@type\":\"ContactPoint\",\"telephone\":\"+34931732266\",\"email\":\"info@rebobinart.com\",\"contactType\":\"sales\",\"areaServed\":\"ES\",\"availableLanguage\":[\"Catalan\",\"Spanish\",\"English\"]},\"aggregateRating\":{\"@type\":\"AggregateRating\",\"ratingValue\":\"4.8\",\"reviewCount\":\"42\",\"bestRating\":\"5\",\"worstRating\":\"1\"},\"knowsAbout\":[\"Urban art\",\"Muralism\",\"Graffiti\",\"Public art\",\"Murals for companies\",\"Community murals\",\"Advertising murals\",\"Painted shutters\"],\"award\":[\"Bdigital Congress Award 2012, for Murs Lliures (Wallspot)\",\"1st Barcelona Activa Social Entrepreneurship Award, 2015\",\"Cuixart Award for the organisation's career, 2016\",\"Time Out Awards nominee, Best Citizen Initiative, 2016, for \\u00das Barcelona Festival\",\"Garci Visual Arts Awards, 2017, for Bar\\u00f3 Murs Vius\",\"Xarxa Transversal Curatorship Competition Award, 2017, for Womart\",\"Civic Award of the Government of Catalonia, 2018, for Wallspot\",\"Barcelona Metropolitan Area grant for the best social-tech entrepreneurship initiative, 2019, for Wallspot\",\"Spanish Ministry of Culture, one of the best cultural and creative industries projects, 2022, for Wallspot\"],\"hasOfferCatalog\":{\"@type\":\"OfferCatalog\",\"name\":\"Rebobinart\",\"itemListElement\":[{\"@type\":\"Offer\",\"itemOffered\":{\"@type\":\"Service\",\"name\":\"Murals for companies\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/murals-for-companies\\\/\",\"provider\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}}},{\"@type\":\"Offer\",\"itemOffered\":{\"@type\":\"Service\",\"name\":\"Murals for institutions and city councils\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/murals-for-institutions\\\/\",\"provider\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}}},{\"@type\":\"Offer\",\"itemOffered\":{\"@type\":\"Service\",\"name\":\"Advertising murals\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/advertising-murals\\\/\",\"provider\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}}},{\"@type\":\"Offer\",\"itemOffered\":{\"@type\":\"Service\",\"name\":\"Painted shop shutters\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/painted-shutters-shops-barcelona\\\/\",\"provider\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}}},{\"@type\":\"Offer\",\"itemOffered\":{\"@type\":\"Service\",\"name\":\"Facade and gable wall murals\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/facade-and-gable-wall-murals\\\/\",\"provider\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}}},{\"@type\":\"Offer\",\"itemOffered\":{\"@type\":\"Service\",\"name\":\"Urban art festivals and events\",\"url\":\"https:\\\/\\\/www.rebobinart.com\\\/en\\\/urban-art-festivals\\\/\",\"provider\":{\"@id\":\"https:\\\/\\\/www.rebobinart.com\\\/#organization\"}}}]}}]}\n\t\t<\/script>\n\t\t<!-- All in One SEO -->\n\n","aioseo_head_json":{"title":"How painting Barcelona's walls became legal (2010-2024)","description":"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.","canonical_url":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/","robots":"max-image-preview:large","keywords":"","webmasterTools":{"google-site-verification":"x6j8XpBefNdcaOJG7giPvQg9tguxnqKBMmL7JHq8MaA","miscellaneous":""},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"BreadcrumbList","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#breadcrumblist","itemListElement":[{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/#listItem","position":1,"name":"Home","item":"https:\/\/www.rebobinart.com\/en\/","nextItem":{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/portfolio-category\/wallspot-en\/#listItem","name":"wallspot"}},{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/portfolio-category\/wallspot-en\/#listItem","position":2,"name":"wallspot","item":"https:\/\/www.rebobinart.com\/en\/portfolio-category\/wallspot-en\/","nextItem":{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#listItem","name":"Persianes Lliures, Murs Lliures and Wallspot: how painting Barcelona&#8217;s walls became legal"},"previousItem":{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/#listItem","name":"Home"}},{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#listItem","position":3,"name":"Persianes Lliures, Murs Lliures and Wallspot: how painting Barcelona&#8217;s walls became legal","previousItem":{"@type":"ListItem","@id":"https:\/\/www.rebobinart.com\/en\/portfolio-category\/wallspot-en\/#listItem","name":"wallspot"}}]},{"@type":"Person","@id":"https:\/\/www.rebobinart.com\/en\/author\/marc\/#author","url":"https:\/\/www.rebobinart.com\/en\/author\/marc\/","name":"Marc Garcia","image":{"@type":"ImageObject","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#authorImage","url":"https:\/\/secure.gravatar.com\/avatar\/49dbf83e8db2d45e95b93254621cf205ca251332ad569ad99b420f5ea3eee1a5?s=96&d=mm&r=g","width":96,"height":96,"caption":"Marc Garcia"}},{"@type":"WebPage","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#webpage","url":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/","name":"How painting Barcelona's walls became legal (2010-2024)","description":"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.","inLanguage":"en-US","isPartOf":{"@id":"https:\/\/www.rebobinart.com\/en\/#website"},"breadcrumb":{"@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#breadcrumblist"},"author":{"@id":"https:\/\/www.rebobinart.com\/en\/author\/marc\/#author"},"creator":{"@id":"https:\/\/www.rebobinart.com\/en\/author\/marc\/#author"},"image":{"@type":"ImageObject","url":"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#mainImage","width":2048,"height":1529,"caption":"RIPO, \u00abyour name\u00bb \u2013 Tres Xemeneies, Barcelona, 2013"},"primaryImageOfPage":{"@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#mainImage"},"datePublished":"2024-09-30T10:00:00+00:00","dateModified":"2026-09-26T12:56:12+00:00"},{"@type":"WebSite","@id":"https:\/\/www.rebobinart.com\/en\/#website","url":"https:\/\/www.rebobinart.com\/en\/","name":"Rebobinart","description":"Urban art production company: large-format murals for companies, institutions and communities in Barcelona, Madrid and all of Spain, since 2012.","inLanguage":"en-US","publisher":{"@id":"https:\/\/www.rebobinart.com\/#organization"}},{"@type":["Organization","LocalBusiness"],"@id":"https:\/\/www.rebobinart.com\/#organization","name":"Rebobinart","description":"Rebobinart is an urban art production company founded in Barcelona in 2012. We produce large-format murals and mural art for companies, institutions, city councils and communities in Barcelona, Madrid and across Spain: facades and gable walls, shop shutters, interiors, advertising murals, festivals and street art tours. Over 900 projects and more than 500 artists.","url":"https:\/\/www.rebobinart.com\/","email":"info@rebobinart.com","telephone":"+34931732266","foundingDate":"2012-02-01","logo":{"@type":"ImageObject","url":"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2020\/03\/logo-Rebobinart-scaled.png","@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#organizationLogo","width":2560,"height":307,"caption":"Logo Rebobinart"},"image":{"@id":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/#organizationLogo"},"sameAs":["https:\/\/www.instagram.com\/rebobinart\/","https:\/\/www.facebook.com\/rebobinart","https:\/\/twitter.com\/rebobinart","https:\/\/www.youtube.com\/user\/rebobinart","https:\/\/www.linkedin.com\/company\/rebobinart","https:\/\/www.wikidata.org\/wiki\/Q140404160","https:\/\/maps.google.com\/?cid=7690349004304836382"],"legalName":"Rebobinart","foundingLocation":{"@type":"Place","name":"Barcelona"},"address":{"@type":"PostalAddress","streetAddress":"Cardenal Tedeschini Street, 69, Ground floor","addressLocality":"Barcelona","addressRegion":"Catalonia","postalCode":"08027","addressCountry":"ES"},"geo":{"@type":"GeoCoordinates","latitude":41.4269374,"longitude":2.1802385000000002},"hasMap":"https:\/\/maps.google.com\/?cid=7690349004304836382","openingHoursSpecification":{"@type":"OpeningHoursSpecification","dayOfWeek":["Monday","Tuesday","Wednesday","Thursday","Friday"],"opens":"10:00","closes":"16:00"},"areaServed":[{"@type":"Country","name":"Spain"},{"@type":"City","name":"Barcelona"},{"@type":"City","name":"Madrid"},{"@type":"City","name":"Val\u00e8ncia"}],"contactPoint":{"@type":"ContactPoint","telephone":"+34931732266","email":"info@rebobinart.com","contactType":"sales","areaServed":"ES","availableLanguage":["Catalan","Spanish","English"]},"aggregateRating":{"@type":"AggregateRating","ratingValue":"4.8","reviewCount":"42","bestRating":"5","worstRating":"1"},"knowsAbout":["Urban art","Muralism","Graffiti","Public art","Murals for companies","Community murals","Advertising murals","Painted shutters"],"award":["Bdigital Congress Award 2012, for Murs Lliures (Wallspot)","1st Barcelona Activa Social Entrepreneurship Award, 2015","Cuixart Award for the organisation's career, 2016","Time Out Awards nominee, Best Citizen Initiative, 2016, for \u00das Barcelona Festival","Garci Visual Arts Awards, 2017, for Bar\u00f3 Murs Vius","Xarxa Transversal Curatorship Competition Award, 2017, for Womart","Civic Award of the Government of Catalonia, 2018, for Wallspot","Barcelona Metropolitan Area grant for the best social-tech entrepreneurship initiative, 2019, for Wallspot","Spanish Ministry of Culture, one of the best cultural and creative industries projects, 2022, for Wallspot"],"hasOfferCatalog":{"@type":"OfferCatalog","name":"Rebobinart","itemListElement":[{"@type":"Offer","itemOffered":{"@type":"Service","name":"Murals for companies","url":"https:\/\/www.rebobinart.com\/en\/murals-for-companies\/","provider":{"@id":"https:\/\/www.rebobinart.com\/#organization"}}},{"@type":"Offer","itemOffered":{"@type":"Service","name":"Murals for institutions and city councils","url":"https:\/\/www.rebobinart.com\/en\/murals-for-institutions\/","provider":{"@id":"https:\/\/www.rebobinart.com\/#organization"}}},{"@type":"Offer","itemOffered":{"@type":"Service","name":"Advertising murals","url":"https:\/\/www.rebobinart.com\/en\/advertising-murals\/","provider":{"@id":"https:\/\/www.rebobinart.com\/#organization"}}},{"@type":"Offer","itemOffered":{"@type":"Service","name":"Painted shop shutters","url":"https:\/\/www.rebobinart.com\/en\/painted-shutters-shops-barcelona\/","provider":{"@id":"https:\/\/www.rebobinart.com\/#organization"}}},{"@type":"Offer","itemOffered":{"@type":"Service","name":"Facade and gable wall murals","url":"https:\/\/www.rebobinart.com\/en\/facade-and-gable-wall-murals\/","provider":{"@id":"https:\/\/www.rebobinart.com\/#organization"}}},{"@type":"Offer","itemOffered":{"@type":"Service","name":"Urban art festivals and events","url":"https:\/\/www.rebobinart.com\/en\/urban-art-festivals\/","provider":{"@id":"https:\/\/www.rebobinart.com\/#organization"}}}]}}]},"og:locale":"en_US","og:site_name":"Rebobinart","og:type":"article","og:title":"How painting Barcelona's walls became legal (2010-2024)","og:description":"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.","og:url":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/","og:image":"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg","og:image:secure_url":"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg","og:image:width":2048,"og:image:height":1529,"article:published_time":"2024-09-30T10:00:00+00:00","article:modified_time":"2026-09-26T12:56:12+00:00","twitter:card":"summary","twitter:title":"How painting Barcelona's walls became legal (2010-2024)","twitter:description":"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.","twitter:image":"https:\/\/www.rebobinart.com\/wp-content\/uploads\/2026\/09\/ripo-your-name-mur-lliure-tres-xemeneies-barcelona-2013.jpg"},"aioseo_meta_data":{"post_id":"27724","title":"How painting Barcelona's walls became legal (2010-2024)","description":"From fines of 600-3,000 \u20ac to 19 free walls: how Barcelona legalised painting, from Persianes Lliures to Murs Oberts.","keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"WebPage","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":null,"created":"2026-09-06 17:23:10","updated":"2026-09-26 12:56:42","seo_analyzer_scan_date":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.rebobinart.com\/en\/\" title=\"Inicio\">Inicio<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/www.rebobinart.com\/en\/portfolio-category\/wallspot-en\/\" title=\"wallspot\">wallspot<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tPersianes Lliures, Murs Lliures and Wallspot: how painting Barcelona\u2019s walls became legal\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Inicio","link":"https:\/\/www.rebobinart.com\/en\/"},{"label":"wallspot","link":"https:\/\/www.rebobinart.com\/en\/portfolio-category\/wallspot-en\/"},{"label":"Persianes Lliures, Murs Lliures and Wallspot: how painting Barcelona&#8217;s walls became legal","link":"https:\/\/www.rebobinart.com\/en\/project\/wallspot-2012-2024-twelve-years-of-free-walls\/"}],"_links":{"self":[{"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/portfolio\/27724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/comments?post=27724"}],"version-history":[{"count":15,"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/portfolio\/27724\/revisions"}],"predecessor-version":[{"id":28396,"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/portfolio\/27724\/revisions\/28396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/media\/28413"}],"wp:attachment":[{"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/media?parent=27724"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rebobinart.com\/en\/wp-json\/wp\/v2\/tags?post=27724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}